FROM LYCIDAS. On whose fresh lap the swart-star1 sparely looks; The musk-rose, and the well-attired wood-bine, And daffadillies fill their cups with tears,3 Let our frail thoughts dally with false surmise; Where thou, perhaps, under the whelming tide, Weep no more, woful shepherds, weep no more, Sunk though he be beneath the watery floor; And yet anon repairs his drooping head, And tricks his beams, and with new-spangled ore So Lycidas sunk low, but mounted high, 193 1 The dog-star; the star of the hot season, called swart or swarthy, perhaps from its supposed effects, Hor. Odes, iii. 29, 18. 2 Rathe, early; the opposite is sere, late; we retain the comparative rather as an adverb.-Compare Shakesp. Winter's Tale, Act IV. Sc. 5. Pale primroses, etc. Freak'd; see note 7, p. 12. 8 Compare "I know a bank," etc.-Shakesp. Midsummer Night's Dream, Act II. Sc. 2. 4 A Greek interjection. 5 The ocean full of monsters. "Lycidas" was composed on the death of Milton's friend, Mr. Edward King, who, in a voyage to Ireland, was shipwrecked and drowned on the English coast in 1637.-Comp. Hor. Odes, i. 3, 18. Supposed to be a Cornish giant. 7 St. Michael's Mount (Mount's Bay, in Cornwall), called guarded, either on account of the fortress once erected on it, or on account of the tradition of the Archangel Michael having been seen seated on it. The " great vision" is called on by Milton to "Look homeward now, and regard with pity the corpse of Lycidas." Campbell alludes to a similar superstition of St. Columba descending to count the Hebrides.-See Pleasures of Hope. In the map of Galicia, in Mercator's Atlas (1636), near the point Cape Finisterre is Namancos; and in this map the castle of Bayona is conspicuous. Through the dear might of Him that walk'd the waves, THE LADY'S SONG in "COMUS." Sweet Echo, sweetest nymph, that liv'st unseen By slow Meander's margent green, Where the love-lorn nightingale Nightly to thee her sad song mourneth well; That likest thy Narcissus are? Sweet queen of parley, daughter of the sphere! And give resounding grace to all Heaven's harmonies. FROM "PARADISE LOST." BOOK I. THE INVOCATION AND INTRODUCTION. Of man's first disobedience, and the fruit Sing, heavenly Muse, that on the secret top Of Oreb, or of Sinai, didst inspire That Shepherd, who first taught the chosen seed, Delight thee more, and Siloa's" brook that flow'd 1 So Horace of Augustus, Odes, iii. 3. 2 For Narcissus and Echo, see Ovid, Met. iii. 379. Milton, in "aery shell" and daughter of the sphere," dresses Echo in his own mythology. Pair, the lady's brothers. 8 The simple sublimity of Milton's proposition of his subject has been often admired.-See Byron's "Hints from Horace."-Not so of yore awoke your mighty sire, etc.; and Addison, Spectator, No. 303. He invokes with propriety to a sacred subject the muses that inspired Moses in Oreb and David in Sion. The mythological muses are associated with hills and streams. See Book iii. 27. Or Siloam, in the valley to the south of Jerusalem, running along the base of Sion, and supplying the "pool" of the same name, Isaiah viii. 5. FROM PARADISE LOST. Invoke thy aid to my adventurous song, And justify the ways of God to men. Say first, for Heaven hides nothing from thy view, 195 1 Helicon; Aonia is an appellation of Beotia; the allusion is to Hesiod, who, like Milton, sung in his "Theogony," of gods. 2 He invokes literary ability for his work from an imaginary muse; but the moral and religious qualities requisite for it from the Holy Ghost. "His widow was wont to say that he really looked on himself as inspired. In his 'Reason of Church Government,' speaking of his design of writing a poem in the English language, he says, 'it was not to be obtained *but by devout prayer of that eternal Spirit who can enrich with all utterance and knowledge, and sends out his seraphim with the hallowed fire of his altar to touch and purify the lips of whom he pleases.""-Newton. 3 The Hebrew word translated "moved," means brooded," as a bird on her eggs. Milton studied the scriptures in the original language.-Newton. 4 Comp. Hom. Iliad ii. 485; Virg. Æn. viii. 645.-Newton; comp. also Æn. i. 9-12. Viz. in the peculiar glory of Divinity, for he was already above his peers in angelic glory, as Bentley objected. 6 An allusion perhaps to En. i. 44, or to Luke x. 18. 7 See note 7, p.9. THE FALLEN ANGELS IN THE BURNING LAKE. The superior fiend1 Was moving toward the shore: his ponderous shield, 3 Behind him cast; the broad circumference 6 Or in Valdarno, to descry new lands, Hath vex'd the Red-Sea coast, whose waves o'erthrew While with perfidious hatred they pursued 1 Satan. 2 Of the lake. Having roused from the lethargy of their fall his nearest mate, Beelzebub, he proposes to search for a more eligible place for rest than the fiery waves into which they had been cast. 3 The comparison properly ends with moon; but, as is the practice of Homer and Virgil, Milton surrounds his similes with correlative objects and pictures, that heighten their magnificence.-See the succeeding comparisons in this passage; see also Book i. 768, and ii. 636. 4 Galileo, the Florentine astronomer, whom Milton visited when he was in Italy. 5 Fiesole, ancient Fesulae, three miles north east of Florence. 6 Vale of the Arno near Florence, celebrated for its scenery and its rich fertility. 7 The Saracen Emirs, who commanded the squadrons that, during the seventh and succeeding centuries, terrified the Christian coasts of the Mediterranean, furnished, it is said, the origin of the term admiral in various forms in European languages.— See Du Cange Gloss., Amir. 8 Nevertheless. 9 Milton remembers the scenery of his youthful travels. The luxuriant foliage of a southern country heightens the illustration intended to be conveyed. Vallombrosa (shady vale) is about eighteen miles from Florence. 10 The figure of the constellation Orion is an armed man. The ancients, for the purposes of agriculture and navigation, paid great attention to the connection between the weather and the movements of the heavenly bodies. Virg. Georg. i. 204, etc."Nimbosus Orion." En. i. 535. Scattered sedge; the Hebrew name of the Red Sea implies the sedgy sea.-Newton. 11 The oppressor Pharaoh is by some writers called Busiris.-Brydges. Busiris, an Egyptian tyrant, was slain by Hercules-See Keightley's Mythology, p. 323. Many Egyptian kings bore this name. There was a city Busiris in the Delta, with a temple of Isis.-Herod. ii. 59-61. Memphian; Memphis, the celebrated ancient capital of Lower Egypt, was near th e of the modern Cairo. FROM PARADISE LOST. The sojourners of Goshen, who beheld Warriors, the flower of Heaven, once yours, now lost, Eternal spirits; or have ye chosen this place, Your wearied virtue, for the ease you find To slumber here, as in the vales of Heaven? BOOK II. SATAN PRESIDING IN THE INFERNAL COUNCIL. High on a throne of royal state, which far To that bad eminence: and, from despair Vain war with Heaven, and, by success untaught, "Powers and dominions, deities of Heaven; More glorious and more dread than from no fall, Me though just right, and the fix'd laws of Heaven, With what besides in counsel or in fight 197 1 The island of Ormus, in the Persian Gulf, was once the emporium of all the riches of India. Compare the compact and classical composition of this sentence with that in Book i. 44, "Him the Almighty power," etc.-See p. 195. |