(Re)Writing Craft: Composition, Creative Writing, and the Future of English Studies(Re)Writing Craft focuses on the gap that exists in many English departments between creative writers and compositionists on one hand, and literary scholars on the other, in an effort to radically transform the way English studies are organized and practiced today. In proposing a new form of writing he calls "craft criticism," Mayers, himself a compositionist and creative writer, explores the connections between creative writing and composition studies programs, which currently exist as separate fields within the larger and more amorphous field of English studies. If creative writing and composition studies are brought together in productive dialogue, they can, in his view, succeed in inverting the common hierarchy in English departments that privileges interpretation of literature over the teaching of writing. |
No interior do livro
Resultados 1-3 de 14
Página 43
In this scheme , literary criticism is divided into four basic types — mimetic ,
rhetorical , expressive , and formal . According to Richter , the first three types
enjoyed periods of proliferation in the past , and although they have not
disappeared ...
In this scheme , literary criticism is divided into four basic types — mimetic ,
rhetorical , expressive , and formal . According to Richter , the first three types
enjoyed periods of proliferation in the past , and although they have not
disappeared ...
Página 50
Gioia claims there is no inherent value in form : “ Formal verse , like free verse , is
neither intrinsically bad nor good ” ( 32 ) . Gioia associates formal verse primarily
with meter , which he claims is a “ primitive . . . aural technique . ” Free verse ...
Gioia claims there is no inherent value in form : “ Formal verse , like free verse , is
neither intrinsically bad nor good ” ( 32 ) . Gioia associates formal verse primarily
with meter , which he claims is a “ primitive . . . aural technique . ” Free verse ...
Página 52
But like Gioia , Bernstein argues in favor of a particular kind of poetic production .
Where Gioia urges poets to become more structurally and historically aware of
poetic forms in order to avoid what might be called formal confusion ( exemplified
...
But like Gioia , Bernstein argues in favor of a particular kind of poetic production .
Where Gioia urges poets to become more structurally and historically aware of
poetic forms in order to avoid what might be called formal confusion ( exemplified
...
Opinião das pessoas - Escrever uma crítica
Não foram encontradas quaisquer críticas nos locais habituais.
Índice
Craft Criticism and the Possibility | 29 |
Writing Reading Thinking and | 65 |
Terms of an Alliance | 171 |
Direitos de autor | |
Outras edições - Ver tudo
(Re)Writing Craft: Composition, Creative Writing, and the Future of English ... Tim Mayers Pré-visualização limitada - 2007 |
(Re)Writing Craft: Composition, Creative Writing, and the Future of English ... Tim Mayers Pré-visualização indisponível - 2007 |
Palavras e frases frequentes
academic activity allow American apparently argue argument attempt become begin believe called century certainly challenge claims classroom common composition and creative composition course composition studies compositionists concerns consider contemporary course craft criticism creative writing cultural discipline discourse effect English departments English studies entirely essay example existing experience explore fact fiction field focus genres graduate Heidegger Heidegger's idea important individual institutional interested interpretation issue kind language largely least literary studies literature matter mean move never notion offer particular perhaps person piece poem poetic poetry poets position possible potential practice probably problem production professional programs published questions readers realm regard relation relationship rhetorical scholars seems sense specific strands structural suggest teachers teaching texts textual theoretical theorists theory things thinking tion traditional written