Longer Views: Extended EssaysWesleyan University Press, 15/03/2016 - 659 páginas Six essays from the critic and award-winning author exploring topics such as theater, LGBTQ+ scholarship, cyborgs, metaphors, and Star Wars. “Reading is a many-layered process—like writing,” observes Samuel R. Delany, a Nebula and Hugo Award–winning author and a major commentator on American literature and culture. In this collection of six extended essays, Delany challenges what he calls “the hard-edged boundaries of meaning” by going beyond the customary limits of the genre in which he’s writing. By radically reworking the essay form, Delany can explore and express the many layers of his thinking about the nature of art, the workings of language, and the injustices and ironies of social, political, and sexual marginalization. Thus, Delany connects, in sometimes unexpected ways, topics as diverse as the origins of modern theater, the context of lesbian and gay scholarship, the theories of cyborgs, how metaphors mean, and the narrative structures in the Star Wars trilogy. “Over the course of his career,” Kenneth James writes in his extensive introduction, “Delany has again and again thrown into question the world-models that all too many of us unknowingly live by.” Indeed, Delany challenges an impressive list of world-models here, including High and Low Art, sanity and madness, mathematical logic and the mechanics of mythmaking, the distribution of wealth in our society, and the limitations of our sexual vocabulary. Also included are two essays that illustrate Delany’s unique chrestomathic technique, the grouping of textual fragments whose associative interrelationships a reader must actively trace to read them as a resonant argument. Whether writing about Wagner or Hart Crane, Foucault or Robert Mapplethorpe, Delany combines a fierce and often piercing vision with a powerful honesty that beckons us to share in the perspective of these Longer Views. “An intellectually adventurous book. . . . Every page of every essay here rewards a second reading, and a third. Delany has a fearsomely stocked intellect, and a wider range of experience than most writers can even imagine. . . . He is brilliant, driven, prolific.” —The Nation “One of science fiction’s grand masters. . . . Delany’s elegant command of language and deep insight into other authors’ works are delightful to behold.” —Booklist “Rare personal frankness and stunning erudition. . . . Recommended for readers who enjoy the challenge of being led into remote regions of a gifted mind.” —Library Journal |
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Resultados 1-5 de 45
Página 5
... night, “Centre-Mére et PatronMinet” (“Center-Mother and Boss-Puss”): . . . cunta-mite and boss-puss are the shit vocables that father and mother invented in order to enjoy him to the utmost. Who is that, him? Strangled totem. like a ...
... night, “Centre-Mére et PatronMinet” (“Center-Mother and Boss-Puss”): . . . cunta-mite and boss-puss are the shit vocables that father and mother invented in order to enjoy him to the utmost. Who is that, him? Strangled totem. like a ...
Página 6
... night's performance must have been stunning—in both good and bad ways: Soon, Artaud dropped his prepared papers on the stage and began to extemporize on his treatment by psychiatrists at Rodez, where he had almost died of malnutrition ...
... night's performance must have been stunning—in both good and bad ways: Soon, Artaud dropped his prepared papers on the stage and began to extemporize on his treatment by psychiatrists at Rodez, where he had almost died of malnutrition ...
Página 7
... night of the 13th, from the Vieux Columbier stage, about psychiatry, about himself, and/or about van Gogh, became the substance for what he wrote in his essay—if not vice versa. Artaud had written art reviews before and always had ...
... night of the 13th, from the Vieux Columbier stage, about psychiatry, about himself, and/or about van Gogh, became the substance for what he wrote in his essay—if not vice versa. Artaud had written art reviews before and always had ...
Página 11
... night were to act as a jury and decide whether the piece merited rescheduling. Their names read like a Who's Who of the arts in '40s Paris: Raymond Queneau, Louis Jouvet, Jean Cocteau, Paul Eluard, Georges Braque, Jean-Louis Barrault ...
... night were to act as a jury and decide whether the piece merited rescheduling. Their names read like a Who's Who of the arts in '40s Paris: Raymond Queneau, Louis Jouvet, Jean Cocteau, Paul Eluard, Georges Braque, Jean-Louis Barrault ...
Página 12
... night eat too much. There are some who eat too much and others like me who can no longer eat without spitting / Yours, Antonin Artaud.” The cancer that agonized Artaud had reached the point where his doctor simply allowed him as much ...
... night eat too much. There are some who eat too much and others like me who can no longer eat without spitting / Yours, Antonin Artaud.” The cancer that agonized Artaud had reached the point where his doctor simply allowed him as much ...
Índice
1 | |
A Reading of Donna Haraways Manifesto for Cyborgs Science Technology and Socialist Feminism in the 1980s | 87 |
AversionPerversionDiversion | 119 |
Shadow and Ash | 144 |
Some Notes on Hart Crane | 174 |
Shadows | 251 |
Index | 325 |
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Palavras e frases frequentes
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