Retreat from Likeness in the Theory of Painting

Abstract Art abstract painting admire aesthetic Albrecht Dürer appear Aristotle Aristotle's Bauhaus beauty century Cézanne Cézanne's character color and form conception construction copy theory critic Croce Cubist Discourses Dürer edition effect emotional exhibition experience expression Fauves feeling function Gabo Gauguin Greek human ideal Ideas imitation Impressionism Impressionists individual insight Kandinsky's kind knowledge Leonardo light London Lyonel Feininger Mallarmé material means mind Modern Art Modern Painting Moholy-Nagy Museum mysticism natural forms Naum Gabo non-objective Number objects original painter Paris Parrhasios particular pattern Paul Cézanne perfect photograph physical Picasso picture Piet Mondrian Plato Plotinus poetry Polygnotos portrait pure perception Pure Plastic Art R. G. Collingwood reality recognize relation represent retreat Rewald Reynolds Roger Fry Schopenhauer sculpture sense species spectator Spiritual in Art theory of painting things tion translation true universal Véron vision Wassily Kandinsky Worringer writing York Zeuxis