Retreat from Likeness in the Theory of PaintingColumbia University Press, 1949 - 178 páginas |
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Página 119
... pure " and " absolute . " Pure is used scientifically as an adjective modifying abstraction , distinguishing paintings without recognizable objects from all others , but espe- & Plastic Art and Pure Plastic Art , p . 17 ; p . 50 ...
... pure " and " absolute . " Pure is used scientifically as an adjective modifying abstraction , distinguishing paintings without recognizable objects from all others , but espe- & Plastic Art and Pure Plastic Art , p . 17 ; p . 50 ...
Página 140
... Plastic Art and Pure Plastic Art , he admits the attraction of the Cubists , but finds them wanting in thoroughgoing consistency . “ Cubism did not accept the logical consequences of its own discoveries ; it was not developing ...
... Plastic Art and Pure Plastic Art , he admits the attraction of the Cubists , but finds them wanting in thoroughgoing consistency . “ Cubism did not accept the logical consequences of its own discoveries ; it was not developing ...
Página 174
... pure : impure " a bastard art , " 121 ; Kandinsky's doubt as to the ... plastic , " 145 ; new materials and techniques , 145 ; pri- mary aim to ... art , 23 ; neither meant nor felt as deceptions , 24 , 25 ; which represent useful ...
... pure : impure " a bastard art , " 121 ; Kandinsky's doubt as to the ... plastic , " 145 ; new materials and techniques , 145 ; pri- mary aim to ... art , 23 ; neither meant nor felt as deceptions , 24 , 25 ; which represent useful ...
Outras edições - Ver tudo
Retreat from Likeness in the Theory of Painting Frances Bradshaw Blanshard Visualização de excertos - 1945 |
Retreat from Likeness in the Theory of Painting Frances Bradshaw Blanshard Visualização de excertos - 1945 |
Palavras e frases frequentes
Abstract Art abstract painting admire aesthetic Albrecht Dürer appear Aristotle Aristotle's Bauhaus beauty century Cézanne Cézanne's character color and form conception construction copy theory critic Croce Cubist Discourses Dürer edition effect emotional exhibition experience expression Fauves feeling function Gabo Gauguin Greek human ideal Ideas imitation Impressionism Impressionists individual insight Kandinsky's kind knowledge Leonardo light London Lyonel Feininger Mallarmé material means mind Modern Art Modern Painting Moholy-Nagy Museum mysticism natural forms Naum Gabo non-objective Number objects original painter Paris Parrhasios particular pattern Paul Cézanne perfect photograph physical Picasso picture Piet Mondrian Plato Plotinus poetry Polygnotos portrait pure perception Pure Plastic Art R. G. Collingwood reality recognize relation represent retreat Rewald Reynolds Roger Fry Schopenhauer sculpture sense species spectator Spiritual in Art theory of painting things tion translation true universal Véron vision Wassily Kandinsky Worringer writing York Zeuxis