Shakespeare as a Dramatic Artist: A Popular Illustration of the Principles of Scientific CriticismClarendon Press, 1893 - 443 páginas |
No interior do livro
Resultados 1-5 de 81
Página ix
... play . On the other hand , few persons in the educa- tional stage of life can have the detailed knowledge of Shakespeare's plays as a whole which is required for a full treatment of the subject . The present work is so arranged that it ...
... play . On the other hand , few persons in the educa- tional stage of life can have the detailed knowledge of Shakespeare's plays as a whole which is required for a full treatment of the subject . The present work is so arranged that it ...
Página 25
... play say and appear to feel about him , and whatever view of the character is consistent with these and similar facts of the play , that view he selects ; while to vary from it for any external consideration would seem to him as futile ...
... play say and appear to feel about him , and whatever view of the character is consistent with these and similar facts of the play , that view he selects ; while to vary from it for any external consideration would seem to him as futile ...
Página 67
... play ( technically , the Complicating Force ) is the happy- lover of the Caskets Story . Similarly Portia is the means by which Antonio's fortunes are restored to their natural flow : in other words , the source of the Resolution ( or ...
... play ( technically , the Complicating Force ) is the happy- lover of the Caskets Story . Similarly Portia is the means by which Antonio's fortunes are restored to their natural flow : in other words , the source of the Resolution ( or ...
Página 68
... play , as being play sym- the point at which the Complicating and Resolving Forces metrical about its meet . This Dramatic Centre is , according to Shakespeare's central favourite custom , placed in the exact mechanical centre of the ...
... play , as being play sym- the point at which the Complicating and Resolving Forces metrical about its meet . This Dramatic Centre is , according to Shakespeare's central favourite custom , placed in the exact mechanical centre of the ...
Página 69
... play as a Romantic drama with its union of stories , we find in the same central incident all the four stories dovetailed together . a master These points may appear small and merely technical . But Shake- it is a constant purpose with ...
... play as a Romantic drama with its union of stories , we find in the same central incident all the four stories dovetailed together . a master These points may appear small and merely technical . But Shake- it is a constant purpose with ...
Outras edições - Ver tudo
Shakespeare as a Dramatic Artist: A Popular Illustration of the Principles ... Richard Green Moulton Pré-visualização limitada - 2011 |
Shakespeare as a Dramatic Artist: A Popular Illustration of the Principles ... Richard Green Moulton Pré-visualização indisponível - 2015 |
Shakespeare as a Dramatic Artist: A Popular Illustration of the Principles ... Richard Green Moulton Pré-visualização indisponível - 2017 |
Palavras e frases frequentes
analysis Antonio appears Ariel Armado artistic Banquo Bassanio becomes Ben Jonson blank verse Brutus Brutus's Caliban Caskets Story Cassio central idea centre CHAP character climax complexity Complication conception crime crown Desdemona Destiny distinct dramatic dramatist Edition effect elements emotional enchantment Enveloping Action euphuism evil fall fate fool force give Gloucester Goneril human humour Iago incidents inductive criticism interest intrigue Irony Jaques Jessica Julius Cæsar justice King Lady Macbeth Lear literary literature Love's Labour's Lost Macduff madness main plot ment Merchant of Venice mind modern moral Motion Motive movement murder nature oracle Oracular Action Othello passion personages play Poetic Justice Portia present Prospero purpose recognised retribution Richard Richard III rise Rosalind scene sense Shakespeare Shylock side spirit stage Sub-Action suggests supernatural sympathy Tempest thee things thou thought tion tone tragedy train treatment turning-point Underplot unity verse villainy whole words
Passagens conhecidas
Página 153 - Upon the sightless couriers of the air, Shall blow the horrid deed in every eye, That tears shall drown the wind. I have no spur To prick the sides of my intent, but only Vaulting ambition, which o'erleaps itself And falls on the other.
Página 305 - I have neither the scholar's melancholy, which is emulation ; nor the musician's which is fantastical ; nor the courtier's, which is proud ; nor the soldier's, which is ambitious ; nor the lawyer's, which is politic ; nor the lady's, which is nice ; nor the lover's, which is all these...
Página 157 - I have given suck, and know How tender 'tis to love the babe that milks me : I would, while it was smiling in my face, Have pluck'd my nipple from his boneless gums, And dash'd the brains out, had I so sworn as you Have done to this.
Página 138 - He that sitteth in the heavens shall laugh : the Lord shall have them in derision. Then shall he speak unto them in his wrath, and vex them in his sore displeasure.
Página 214 - No, you unnatural hags, I will have such revenges on you both, That all the world shall — I will do such things — What they are yet I know not ; but they shall be The terrors of the earth.
Página 48 - And spit upon my Jewish gaberdine, And all for use of that which is mine own. Well then, it now appears you need my help: Go to, then; you come to me, and you say 'Shylock, we would have moneys...
Página 175 - As Caesar loved me, I weep for him; as he was fortunate, I rejoice at it; as he was valiant, I honour him : but, as he was ambitious, I slew him.
Página 163 - Infirm of purpose! Give me the daggers: the sleeping and the dead Are but as pictures: 'tis the eye of childhood That fears a painted devil. If he do bleed, I'll gild the faces of the grooms withal, For it must seem their guilt.
Página 60 - Nay, take my life and all ; pardon not that : You take my house, when you do take the prop That doth sustain my house ; you take my life, When you do take the means whereby I live.
Página 150 - Glamis thou art, and Cawdor; and shalt be What thou art promised: yet do I fear thy nature; It is too full o' the milk of human kindness To catch the nearest way : thou wouldst be great ; Art not without ambition, but without The illness should attend it: what thou wouldst highly, That wouldst thou holily ; wouldst not play false, And yet wouldst wrongly win: thou'dst have, great Glamis, That which cries ' Thus thou must do, if thou have it; And that which rather thou dost fear to do Than wishest...