In, boy; go first. - [To the Fool.] You houseless poverty, Nay, get thee in. I'll pray, and then I'll sleep. [Fool goes in. Poor naked wretches, wheresoe'er you are, * Quartos, night. 4 In, boy; go first, &c.] These two lines were added in the author's revision, and are only in the folio. They are very judiciously intended to represent that humility, or tenderness, or neglect of forms, which affliction forces on the mind. JOHNSON. 5 - loop'd and WINDOW'D raggedness,] So, in The Amorous War, 1648: 66 - spare me a doublet which "Hath linings in't, and no glass windows." This allusion is as old as the time of Plautus, in one of whose this jerkin "Is wholly made of doors." STEEVENS. Loop'd is full of small apertures, such as were made in ancient castles, for firing ordnance, or spying the enemy. These were wider without than within, and were called loops or loop-holes : which Coles, in his Latin Dictionary, 1679, renders by the word fenestella. MALONE. Loops, as Mr. Henley observes, particularly in castles and towers, were often designed "for the admission of light, where windows would have been incommodious." Shakspeare, he adds, "in Othello, and other places, has alluded to them." To discharge ordnance, however, from loop-holes, according to Mr. Malone's supposition, was, I believe, never attempted, because almost impossible; although such outlets were sufficiently adapted to the use of arrows. Many also of these loops, still existing, were contrived before fire arms had been introduced. STEEVENS. Mr. Warton, in his excellent edition of Milton's Juvenile Poems, (p. 511,) quotes the foregoing line as explanatory of a passage in that poet's verses In Quintum Novembris : Tarda fenestratis figens vestigia calceis. Talis, uti fama est, vasta Franciscus eremo Tetra vagabatur solus per lustra ferarum-." But, from the succeeding, in Buchanan's Franciscanus et From seasons such as these? O, I have ta'en EDG. [Within.] Fathom and half, fathom and half! Poor Tom! [The Fool runs out from the Hovel. FOOL. Come not in here, nuncle, here's a spirit. Help me, help me! KENT. Give me thy hand. --Who's there? FOOL. A spirit, a spirit; he says his name's poor Tom. KENT. What art thou that dost grumble there i' the straw? Come forth. Enter EDGAR, disguised as a Madman. EDG. Away! the foul fiend follows me! Through the sharp hawthorn blows the cold wind *. * First folio, blow the winds. Fratres, these shoes or buskins with windows on them appear to have composed a part of the habit of the Franciscan order: Atque fenestratum soleas captare cothurnum. The Parish Clerk, in Chaucer, (Canterbury Tales, v. 3318, edit. 1775,) has "Poulis windows corven on his shoos." 6-Take physick, pomp; Expose thyself to feel what wretches feel; HOLT WHITE. That thou may'st shake the superflux to them, And show the heavens more just.) A kindred thought occurs in Pericles, Prince of Tyre : "O let those cities that of plenty's cup " And her prosperities so largely taste, " With their superfluous riots,-hear these tears; "The misery of Tharsus may be theirs." MALONE. 7 Fathom, &c.] This speech of Edgar is omitted in the quartos. He gives the sign used by those who are sounding the depth at sea. STEEVENS. Humph! go to thy cold bed, and warm thee. LEAR. Hast thou given all to thy two daughters ? And art thou come to this? EDG. Who gives any thing to poor Tom? whom the foul fiend hath led through fire and through flame *1, through ford and whirlpool, over bog and quagmire; that hath laid knives under his pillow 2, * Quarto omits through flame. 8 Humph! go to thy cold bed, &c.] So, in the introduction to The Taming of the Shrew, Sly says, "go to thy cold bed and warm thee." A ridicule, I suppose, on some passage in a play as absurd as The Spanish Tragedy. STEEVENS. This line is a sneer on the following one spoken by Hieronimo in The Spanish Tragedy, Act II.: "What outcries pluck me from my naked bed." WHALLEY. Humph! go to thy cold bed, and warm thee." Thus the quartos. The editor of the folio 1623, I suppose, thinking the passage nonsense, omitted the word cold. This is not the only instance of unwarrantable alterations made even in that valuable copy. That the quartos are right, appears from the Induction to The Taming of the Shrew, where the same words occur. vol. v. p. 359. MALONE. See 9 Hast thou given all to thy two daughters?) Thus the quartos. The folio reads, "Didst thou give all to thy two daughters?" STEEVENS. I - led through fire and through flame, Alluding to the ignis fatuus, supposed to be lights kindled by mischievous beings to lead travellers into destruction. JOHNSON. 2 laid knives under his pillow, He recounts the temptations by which he was prompted to suicide; the opportunities of destroying himself, which often occurred to him in his melancholy moods. JOHNSON. Shakspeare found this charge against the fiend, with many others of the same nature, in Harsnet's Declaration, and has used the very words of it. The book was printed in 1603. See Dr. Warburton's note, Act IV. Sc. I. Infernal spirits are always represented as urging the wretched to self-destruction. So, in Dr. Faustus, 1604: "Swords, poisons, halters, and envenom'd steel, " Are laid before me to dispatch myself." STEEVENS. The passage in Harsenet's book which Shakspeare had in view, is this: "This Exam'. further sayth, that one Alexander, an apothe and halters in his pew; set ratsbane by his porridge; made him proud of heart, to ride on a bay trotting-horse over four-inched bridges, to course his own shadow for a traitor:-Bless thy five wits! carie, having brought with him from London to Denham on a time a new halter, and two blades of knives, did leave the same upon the gallerie floore, in her maisters house. A great search was made in the house to know how the said halter and knifeblades came thither,-till Ma. Mainy in his next fit said, it was reported that the devil layd them in the gallerie, that some of those that were possessed, might either hang themselves with the halter, or kill themselves with the blades." The kind of temptation which the fiend is described as holding out to the unfortunate, might also have been suggested by the story of Cordila, in The Mirrour for Magistrates, 1575, where Despaire visits her in prison, and shows her various instruments by which she may rid herself of life: 3 " And there withall she spred her garments lap assyde, vise." MALONE. Bless thy five wits!] So the five senses were called by our old writers. Thus in the very ancient interlude of The Five Elements, one of the characters is Sensual Appetite, who with great simplicity thus introduces himself to the audience : " I am callyd sensual apetyte, " I comforte the wyttys five; " I refreshe the syghte and felynge Sig. B. iij. PERCY. So again, in Every Man, a Morality : "Every man, thou art made, thou hast thy wyttes five." Again, in Hycke Scorner : " I have spent amys my v wittes." Again, in The Interlude of the Four Elements, by John Rastell, 1519: "Brute bestis have memory and their wyttes five." Again, in the first book of Gower, De Confessione Amantis : "As touchende of my wittes five." STEEVENS. Shakspeare, however, in his 141st Sonnet, seems to have considered the five wits, as distinct from the senses : Tom's a-cold.-O, do de, do de, do de. --Bless thee from whirlwinds, star-blasting, and taking ! Do poor Tom some charity, whom the foul fiend vexes : There could I have him now, and there, and there, and there again, and there. [Storm continues. LEAR. What, have his daughters brought him to this pass ?Could'st thou save nothing? Did'st thou give them all? FooL. Nay, he reserved a blanket, else we had been all shamed. LEAR. Now, all the plagues that in the pendulous air Hang fated o'er men's faults, light on thy daugh ters! KENT. He hath no daughters, sir. LEAR. Death, traitor! nothing could have sub du'd nature To such a lowness, but his unkind daughters.- "But my five wits, nor my five senses can "Dissuade one foolish heart from serving thee." MALONE. See Much Ado About Nothing, vol. vii. p. 11, n. 6. BOSWELL. - taking?] To take is to blast, or strike with malignant in 4 fluence : 66 - strike her young bones, "Ye taking airs, with lameness!" JOHNSON. s Now, all the PLAGUES that in the pendulous air 6 Hang fated o'er men's faults,] So, in Timon of Athens: "Be as a planetary plague, when Jove " Will o'er some high-viced city hang his poison "In the sick air." BosWELL. - pelican daughters.] The young pelican is fabled to suck the mother's blood. JOHNSON. So, in Decker's Honest Whore, 1630, second part : |