Ben JonsonRoutledge, 21/07/2014 - 232 páginas Interest in Ben Jonson is higher today than at any time since his death. This new collection offers detailed readings of all the major plays - Volpone, Epicene, The Alchemist and Bartholomew Fair - and the poems. It also provides significant insights into the court masques and the later plays which have only recently been rediscovered as genuinely engaging stage pieces. |
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... play: the commercial economy of Bartholomew Fair as Jonson represents it in his play; the economy of dramatic ... play's confidence in its own royally sanctioned theatricality can be seen as a calculated riposte to the 'enormity ...
... play: the commercial economy of Bartholomew Fair as Jonson represents it in his play; the economy of dramatic ... play's confidence in its own royally sanctioned theatricality can be seen as a calculated riposte to the 'enormity ...
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... play's generic definition as a festive comedy. He opens up the whole argument more widely in Licensed by Authority: Ben Jonson and the Discourses of Censorship, seeing licensing as a distinctive early modem practice, between earlier ...
... play's generic definition as a festive comedy. He opens up the whole argument more widely in Licensed by Authority: Ben Jonson and the Discourses of Censorship, seeing licensing as a distinctive early modem practice, between earlier ...
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... play.37 But fairness to Jonson is not really the point. The key feminist issue is the status of women in early modern ... play's most distinctive features: the narrowly upper-class milieu of its characters and the almost total absence of ...
... play.37 But fairness to Jonson is not really the point. The key feminist issue is the status of women in early modern ... play's most distinctive features: the narrowly upper-class milieu of its characters and the almost total absence of ...
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... play of this sort most inflected by that 'masculinist ideology', and least open to women's self-definition, implicitly ... play's handling of gender issues is essentially tied to Jonson's self-legitimation of himself as a writer for the ...
... play of this sort most inflected by that 'masculinist ideology', and least open to women's self-definition, implicitly ... play's handling of gender issues is essentially tied to Jonson's self-legitimation of himself as a writer for the ...
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Índice
1 | |
An Alternative View | 26 |
3 Sejanus and the Peoples Beastly Rage | 50 |
4 State Secrets | 70 |
Jonsons Community of the Same | 83 |
Volpone | 118 |
7 The Expense of Spirit | 136 |
8 The Plague of The Alchemist | 149 |
9 Festivity and the Dramatic Economy of Jonsons Bartholomew Fair | 167 |
10 Late Jonson | 189 |
Further Reading | 210 |
Index | 219 |
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Palavras e frases frequentes
action Alchemist audience authority Bakhtin Barish Bartholomew Fair become Ben Jonson Cambridge carnival characters city comedy comic court criticism culture Cynthia's Revels Drama and Society Dramatist early modern Early Stuart economy Elizabethan England English Renaissance Epicoene Epigram Epistle essay Face festive festive marketplace fools Germanicans History ideological Inigo Jones Jacobean Jonson's play Jonson's poetry Jonsonian judgment king king's Knights language literature Lovewit Magnetic Lady marginal marketplace masque Masque of Blackness master meaning Mercury moral Mosca Oxford patronage performance perspective plague play's playwright plot poem poet poet's poetic political praise Puritan Quarlous readers relation relationship Renaissance Drama representation represents reveals rogues role royal satire Sejanus Selden sense sexual Shakespeare Silent Woman spectators stage Stephen Orgel Studies Subtie's Subtle T. S. Eliot theater theatrical Tiberius traditional transformation Truewit Underwood University Press virtue vision Volpone Volpone's Winwife women writing