Strands Afar Remote: Israeli Perspectives on ShakespeareAvraham Oz University of Delaware Press, 1998 - 307 páginas This book is a collection of essays on Shakespeare and his contemporaries by Israeli writers. Topic matter includes friendship and love in the Merchant of Venice, Augustinian metaphor in As You Like It, motive, and meaning in All's Well That Ends Well, Shakespeare's translation into Hebrew, and so forth, as well as an afterword by the editor. |
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Página 7
... Tragic Protagonist : Tragedy and Richard III 138 BARUCH KURZWEILL Prophecy as a Cultural Model : The Politics of Tamburlaine and Julius Caesar 151 AVRAHAM OZ Hamlet's Entrails 177 DAVID HILLMAN Othello and Woyzeck as Tragic Heroes ...
... Tragic Protagonist : Tragedy and Richard III 138 BARUCH KURZWEILL Prophecy as a Cultural Model : The Politics of Tamburlaine and Julius Caesar 151 AVRAHAM OZ Hamlet's Entrails 177 DAVID HILLMAN Othello and Woyzeck as Tragic Heroes ...
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... Tragic Form in Shakespeare ( 1972 ) , Comic Transformations in Shakespeare ( 1980 ) , and Shakespeare's Other Languages ( 1987 ) . She is a member of the Israel Academy and Professor Emerita of English and for- mer head of the ...
... Tragic Form in Shakespeare ( 1972 ) , Comic Transformations in Shakespeare ( 1980 ) , and Shakespeare's Other Languages ( 1987 ) . She is a member of the Israel Academy and Professor Emerita of English and for- mer head of the ...
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... tragic drama ( Kurzweill , Itzhaki ) , medieval and Renais- sance theology and iconography ( Belkin ) , conventions of love and friendship ( Jagendorf ) or rhetorical and verbal practices inherent in the original texts ( Freund , Rosen ) ...
... tragic drama ( Kurzweill , Itzhaki ) , medieval and Renais- sance theology and iconography ( Belkin ) , conventions of love and friendship ( Jagendorf ) or rhetorical and verbal practices inherent in the original texts ( Freund , Rosen ) ...
Página 27
... tragic divide between friendship and separation . They do not stand for the love between men ; this is openly and directly expressed in the story , but they elaborate its peripety as it is posed between closeness and separation ...
... tragic divide between friendship and separation . They do not stand for the love between men ; this is openly and directly expressed in the story , but they elaborate its peripety as it is posed between closeness and separation ...
Página 31
... tragic promise of purse and person to his friend . Here then as in a tragedy the boast of the hero , his willingness to go to the extreme would become the cruel reality which vindicates his spirit and his integrity and his love even as ...
... tragic promise of purse and person to his friend . Here then as in a tragedy the boast of the hero , his willingness to go to the extreme would become the cruel reality which vindicates his spirit and his integrity and his love even as ...
Índice
17 | |
38 | |
St Augustine Metaphor in As You Like It | 51 |
The Desire for Representation and the Rape of Voice | 62 |
Identity and Agency in Shakespeares | 87 |
Motive and Meaning in Alls Well That Ends Well | 113 |
The Isolation of the Tragic Protagonist | 138 |
The Politics of Tamburlaine and Julius Caesar | 151 |
Hamlets Entrails | 177 |
Othello and Woyzeck as Tragic Heroes According to Aristotle and Hegel | 204 |
Coriolanus and the Compulsion to Repeat | 232 |
A Study in Historical Poetics | 255 |
Prosper Our Colours A CaseNoncase for National Perspectives on Shakespeare and his Contemporaries | 276 |
Index | 301 |
Outras edições - Ver tudo
Palavras e frases frequentes
Achilles Adelman All's Antonio Arden Aristotle Bassanio Bertram Bialik biblical body Caesar character chivalric Christian classical Claudius comedy contemporary context Coriolanus critics cultural death death instinct Desdemona desire for representation discourse dramatic early modern English essay fantasy father figure fort/da game Freud Hamlet Haskala hath Hebrew Hegel Helena human Iago Ibid ideal identity ideological interpretation Israeli jealousy Jerusalem Jewish Julius Caesar King Lacan language literary London Lucrece Madonna male means Merchant of Venice mirror stage Moor Morocco mother motive narrative nature Nietzsche Othello Parolles play play's Pleasure Principle plot poet poetic poetry political Portia Problem Comedies protagonists reading Renaissance repetition rhetorical Richard scene sense sexual Shake Shakespeare Shylock sonnet soul speak stag symbolic Tamburlaine theater thou tion tragedy tragic conflict tragic hero trans translation Troilus and Cressida Ulysses University Press voice woman words Woyzeck York
Passagens conhecidas
Página 64 - The eye of man hath not heard, the ear of man hath not seen; man's hand is not able to taste, his tongue to conceive, nor his heart to report, what my dream was.
Página 148 - Cold fearful drops stand on my trembling flesh. What do I fear ? myself ? there's none else by : Richard loves Richard ; that is, I am I. Is there a murderer here ? No. Yes, I am : Then fly. What, from myself ? Great reason why : Lest I revenge.
Página 18 - It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.
Página 180 - Will sate itself in a celestial bed, And prey on garbage. But, soft! methinks, I scent the morning air; Brief let me be: — Sleeping within mine orchard, My custom always of the afternoon, Upon my secure hour thy uncle stole, With juice of cursed hebenon in a vial, And in the porches of mine ears did pour The leperous distilment...
Página 60 - tis to pity and be pitied, Let gentleness my strong enforcement be : In the which hope I blush, and hide my sword.
Página 64 - I have had a most rare vision. I have had a dream, — past the wit of man to say what dream it was : man is but an ass, if he go about to expound this dream.
Página 78 - There's language in her eye, her cheek, her lip, Nay, her foot speaks ; her wanton spirits look out At every joint and motive of her body. O, these encounterers, so glib of tongue, That give a coasting welcome ere it comes. And wide unclasp the tables of their thoughts To every ticklish reader ! set them down For sluttish spoils of opportunity, And daughters of the game. [Trumpet within. All. The Trojans
Página 105 - Force should be right; or rather, right and wrong, Between whose endless jar justice resides, Should lose their names, and so should justice too. Then every thing includes itself in power, Power into will, will into appetite; And appetite, an universal wolf, So doubly seconded with will and power, Must make perforce an universal prey, And last eat up himself.