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ACT III.

But to be safely thus :-Our fears in Banquo

SCENE I. Fores. A Room in the Palace. Enter Stick deep; and in his royalty of nature

BANQUO.

Ban. Thou hast it now, King, Cawdor, Glamis, all,
As the weird women promis'd; and, I fear,
Thou play'dst most foully for't; yet it was said,
It should not stand in thy posterity:

But that myself should be the root and father
Of many kings. If there come truth from them
(As upon thee, Macbeth, their speeches shine,)
Why, by the verities on thee made good,
May they not be my oracles as well,
And set me up in hope? But, hush; no more.
Senet sounded. Enter MACBETH, as King; LADY
MACBETH, as Queen; LENOX, ROSSE, Lords,
Ladies, and Attendants.

Mach. Here's our chief guest.
Lady M.

If he had been forgotten,
It had been as a gap in our great feast,
And all things unbecoming.

Macb. To-night we hold a solemn supper,1 sir, And I'll request your presence.

Ban.

Let your highness

Command upon me; to the which, my duties Are with a most indissoluble tie

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upon us.

Macb. I wish your horses swift and sure of foot; And so I do commend you to their backs. Farewell. [Exit BANQUO. Let every man be master of his time Till seven at night; to make society The sweeter welcome, we will keep ourself Till supper-time alone: while then, God be with you. [Exeunt LADY MACBETH, Lords, Ladies, &c. Sirrah, a word with you: attend those men Our pleasure?

Atten. They are, my lord, without the palace-gate. Macb. Bring them before us.-[Exit Atten.] To be thus is nothing;

1 A solemn supper.' This was the phrase of Shak. speare's time for a feast or banquet given on a particular occasion, to solemnize any event, as a birth, marriage, coronation, &c. Howel, in a letter to Sir T. Hawke, 1636, says, I was invited yesternight to a solemne supper by B. J. [Ben Jonson,] where you were deeply remembered.'

2 i. e. if my horse does not go well. Shakspeare often uses the comparative for the positive and superla

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5 And to that,' i. e. in addition to. 6 For defiled.

7The common enemy of man.' Shakspeare repeats the phrase in Twelfth Night, Act iii. Sc. 4:- Defy the devil: consider, he's an enemy to mankind. The phrase was common among his contemporaries; the word fiend, Johnson remarks, signifies enemy.

8To the utterance.' This phrase, which is found in writers who preceded Shakspeare, is borrowed from the French; se battre a l'outrance, to fight desperately or to extremity, even to death. The sense therefore is:

Reigns that, which would be fear'd: "Tis much he dares ;

And, to that dauntless temper of his mind,
He hath a wisdom that doth guide his valour
To act in safety. There is none, but he
Whose being I do fear: and, under him,
My genius is rebuk'd; as, it is said,
Mark Antony's was by Caesar. He chid the sisters,
When first they put the name of King upon me,
And bade them speak to him; then, prophetlike,
They hail'd him father to a line of kings:
Upon my head they plac'd a fruitless crown,
And put a barren sceptre in my gripe,
Thence to be wrench'd with an unlineal hand,
No son of mine succeeding. If it be so,
For Banquo's issue have I fil'd my mind;
Put rancours in the vessel of my peace
For them the gracious Duncan have I murder'd;
Only for them; and mine eternal jewel
Given to the common enemy of man,"

To make them kings; the seed of Banquo kings!
Rather than so, come, fate, into the list,
And champion me to the utterance !®- -Who's

there?

Re-enter Attendant, with two Murderers. Now go to the door, and stay there till we call. [Exit Attendant.

Was it not yesterday we spoke together?
1 Mur. It was, so please your highness.
Macb.
Well then, now
Have you considered of my speeches? Know,
That it was he, in the times past, which held you
So under fortune; which, you thought, had been
Our innocent self: this I made good to you
In our last conference, pass'd in probation with you,
How you were borne in hand;10 how cross'd; the
instruments;

Who wrought with them; and all things else, that might,

To half a soul, and to a notion craz'd,
Say, Thus did Banquo.
1 Mur.

You made it known to us.
Mach. I did so; and went further, which is now
Our point of second meeting. Do you find
Your patience so predominant in your nature,
That you can let this go? Are you so gospell'd11
To pray for that good man, and for his issue,
Whose heavy hand has bow'd you to the grave,
And beggar'd yours for ever?
1 Mur.
We are men, my liege.
Mach. Ay, in the catalogue ye go for men;
As hounds, and greyhounds, mongrels, spaniels, curs,
Shoughs,12 water-rugs, and demi-wolves, are
cleped 13

All by the name of dogs: the valued file14
Distinguishes the swift, the slow, the subtle,
The house-keeper, the hunter, every one
According to the gift which bounteous nature
Hath in him clos'd; whereby he does receive
Particular addition,13 from the bill
That writes them all alike: and so of men.

Let fate, that has foredoomed the exaltation of Banquo's sons, enter the lists against me in defence of its own de crees, I will fight against it to the extremity, whatever be the consequence.'

9 i. e. 'passed in proving to you.'

10 To bear in hand is to delude by encouraging hope and holding out fair prospects, without any intention of performance.

11 i. e. are you so obedient to the precept of the gospel, which teaches us to pray for those who despitefully

use us?'

12 Shoughs are probably what we now call shocks. Nashe, in his Lenten Stuffe, mentions them, 'a trundletail tike or shough or two."" 13 Cleped, called.

14 The valued file is the descriptive list wherein their value and peculiar qualities are set down; such a list of dogs may be found in Junius's Nomenclator, by Fleming, and may have furnished Shakspeare with the idea.

15 Particular addition, title, description.

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Both of you

Know, Banquo was your enemy. 2 Mur.

True, my lord. Macb. So is he mine: and in such bloody distance,1

That every minute of his being thrusts
Against my near'st of life: And though I could
With bare-fac'd power sweep him from my sight,
And bid my will avouch it; yet I must not,
For certain friends that are both his and mine,
Whose loves I may not drop, but wail his fall
Whom I myself struck down: and thence it is,
That I to your assistance do make love;
Masking the business from the common eye,
For sundry weighty reasons.

2 Mur.

Perform what you command us.

1 Mur.

We shall, my lord,

Though our lives

Macb. Your spirits shine through you. Within
this hour at most,

I will advise you where to plant yourselves:
Acquaint you with the perfect spy o' the time,
The moment on't: for't must be done to-night,
And something from the palace; always thought,
That I require a clearness: And with him
(To leave no rubs, nor botches, in the work,)
Fleance his son, that keeps him company,
Whose absence is no less material to me
Than is his father's, must embrace the fate
Of that dark hour. Resolve yourselves apart;
I'll come to you anon.

2 Mur.
We are resolv'd my lord.
Mach. I'll call upon you straight; abide within.
It is concluded:-)
-Banquo, thy soul's flight,
If it find heaven, must find it out to-night. [Exeunt.

SCENE II. The same. Another Room. Enter
LADY MACBETH, and a Servant.

Lady M. Is Banquo gone from court?
Serv. Ay, madam, but returns again to-night.
Lady M. Say to the king, I would attend his
leisure

For a few words.

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1 Bloody distance' is mortal enmity.

Serv. Madam, I will.
Lady M.

(Eril.

Nought's had, all's spent,
Where our desire is got without content:
'Tis safer to be that which we destroy,
Than, by destruction, dwell in doubtful joy.
Enter MACBETH.

How now, my lord? why do you keep alone,
Of sorriest fancies your companions making?
Using those thoughts, which should indeed have died
With them they think on? Things without remedy
Should be without regard: what's done is done.

Macb. We have scotch'd the snake, not kill'dit;
She'll close, and be herself; whilst our poor malice
Remains in danger of her former tooth."
But let the frame of things disjoint,

Both the worlds suffer,

Ere we will eat our meal in fear, and sleep
In the affliction of these terrible dreams
That shake us nightly: Better be with the dead,
Whom we, to gain our place, have sent to peace,
Than on the torture of the mind to lie

In restless ecstacy. Duncan is in his grave;
After life's fitful fever, he sleeps well:

Treason has done his worst; nor steel, nor poison,
Malice domestic, foreign levy, nothing,
Can touch him further!

Lady M. Come on, gentle my lord;
Sleek o'er your rugged looks; be bright and jovial
Among your guests to-night.

So shall I, love;

Mach.
And so,
I pray, be you: let your remembrance
Apply to Banquo: present him eminence, both
With eye and tongue : unsafe, the while, that we
Must lave our honours in these flattering streams;
And make our faces vizards to our hearts,
Disguising what they are."
Lady M.
You must leave this.
Macb. O, full of scorpions is my mind, dear wife!
Thou know'st that Banquo, and his Fleance, lives.
Lady M. But in them nature's copy's not eterne.
Mach. There's comfort yet; they are assailable;
Then be thou jocund: Ere the bat hath flown
His cloister'd flight; ere, to black Hecate's sum-

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Makes wing to the rooky wood: 14

confirms this explanation. Many of Shakspeare's al

2 i. e. the exact time when you may look out or lie in lusions are to legal customs. wait for him.

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That I require a clearness."

11 That is, the beetle borne along the air by its shards or scaly wings. Steevens had the merit of first showing that shard or sherd was the ancient word for a scale of

'Always remembering that I must stand clear of sus- outward covering, a case or sheath; as appears from the picion."

4 Sorriest, most melancholy.

following passage cited by him from Gower's Confessio
Amantis, 6. vi. fol. 139:-

"She sigh, her thought a dragon tho,
Whose sherdes shynen as the sonne."

5 The first folio reads peuce; the second folio place.
6 Ecstacy, in its general sense, signifies any violent
emotion or alienation of the mind. The old dictionaries And again in book v. speaking of a serpent:-
render it a trance, a dampe, a crampe.

7 Remembrance is here employed as a quadrisyl. lable.

& Present him eminence, do him the highest honour. 9 The sense of this passage (though clouded by meta. phor, and perhaps by omission) appears to be as fol lows:It is a sign that our royalty is unsafe, when it must descend to flattery, and stoop to dissimulation.' The present arrangement of the text is by Malone.

10 Ritson has justly observed, that Nature's copy' alludes to copyhold tenure, in which the tenant holds an estate for life, having nothing but the copy of the rolls of his lord's court to show for it. A life-hold tenure may well be said to be not eternal. The subsequent speech of Macbeth, in which he says,

Cancel and tear to pieces that great bond.›

'He was so sherded all about,
It held all edge-tool without.

12 i. e. blinding: to seel up the eyes of a hawk was to
close them by sewing the eyelids together.
13 So in Cymbeline:-

'Cancel his bond of life, dear God, I pray.'
14 By the expression, light thickens, Shakspeare
means that it is growing dark. Thus, in Fletcher's
Faithful Shepherdess :-

'Fold your flocks up, for the air 'Gins to thicken, and the sun Already his great course hath run.' Spenser, in the Shepherd's Calendar, has:the welkin thicks apace.' Notwithstanding Mr. Steevens's ingenious attempts to explain the rooky wood otherwise, it surely means no

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1 Mur.

His horses go about.

3 Mur. Almost a mile: but he does usually, So all men do, from hence to the palace gate

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Fleance is 'scap'd.

Macb. Then comes my fit again: I had else been
perfect;

Whole as the marble, founded as the rock;
As broad and general as the casing air:
But now, I am cabin'd, cribb'd, confin'd, bound in
To saucy doubts and fears. But Banquo's safe?
Mur. Ay, my good lord: safe in a ditch he bides,
With twenty trenched' gashes on his head;
The least a death to nature.
Macb.
Thanks for that:-
There the grown serpent lies; the worm, that's fled,
Hath nature that in time will venom breed,
No teeth for the present.-Get thee gone; to-

morrow

We'll hear ourselves again. [Exit Murderer. Lady M. My royal lord, You do not give the cheer: the feast is sold, That is not often vouch'd while 'tis a making, Enter BANQUO and FLEANCE, a Servant with a Tis given with welcome: To feed were best at

Make it their walk.

2 Mur.

3 Mur.

Torch preceding them.

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1 Mur. Stand to't.
Ban. It will be rain to-night.
1 Mur.

Let it come down. [Assaults BANQUO. Ban. O, treachery! Fly, good Fleance, fly, fly,

fy;

Thou may'st revenge.__ O slave!

[Dies. Fleance and Servant escape.3 3 Mur. Who did strike out the light?

1 Mur.

Was't not the way?

3 Mur. There's but one down: the son is fled. 2 Mur. We have lost best half of our affair.

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1 Mur. Well, let's away, and say how much is Lays blame upon his promise. Please it your highdone.

SCENE IV. A Room of State in the Palace. A
Banquet prepared. Enter MACBETH, LADY
MACBETH, ROSSE, LENOX, Lords, and Attend-

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Macb. See, they encounter thee with their hearts' Banquo, who was equally concerned with Macbeth in

thanks:

the murder of Duncan, as innocent of that crime.
4At first and last.' Johnson, with great plausibility,
proposes to read, To first and last.'

thing more than the wood inhabited by rooks. The poet has shown himself a close observer of nature, in mark-A ing the return of these birds to their nest-trees when the day is drawing to a close.

iSee note on King Richard III. Act iv. Sc. 1.

2 i. e. they who are set down in the list of guests, and expected to supper.

3 Fleance, after the assassination of his father, fled into Wales, where, by the daughter of the prince of that country, he had a son named Walter, who afterwards became Lord High Steward of Scotland, and from thence assumed the name of Sir Walter Steward. From him, in a direct line, King James I. was descended; in compliment to whom Shakspeare has chosen to describe

5 Keeps her state,' continues in her chair of state state was a royal chair with a canopy over it. 6Tis better thee without than he within,' that is, am better pleased that the blood of Banquo should be o.. thy face than in his body. He is put for him.

7 With twenty trenched gashes on his head. From the French trancher, to cut.

8 Macbeth betrays himself by an overacted regard for Banquo, of whose absence from the feast he affects to complain, that he may not be suspected of knowing the cause, though at the same time he very unguardedly drops an allusion to that cause. May I seems to imply here a wish, not an assertion.

9 i. e. as speedily as thought can be exerted.

Lady M.

You shall offend him, and extend his passion;1
Feed, and regard him not.-Are you a man?
Macb. Ay, and a bold one, that dare look on that
Which might appal the devil.
O proper stuff!
This is the very painting of your fear:
This is the air-drawn dagger, which, you said,
Led you to Duncan. O, these flaws and starts
(Impostors to true fear) would well become
A woman's story at a winter's fire,
Authoriz'd by her grandam. Shame itself!
Why do you make such faces? When all's done,
You look but on a stool.

Mach. Pr'ythee, see there! behold! look! lo!
how say you?-

Why, what care I? If thou canst nod, speak too.
If charnel-houses, and our graves, must send
Those that we bury,back, our monuments
Shall be the maws of kites.* [Ghost disappears.
Lady M. What! quite unmann'd in folly?
Mach. If I stand here, I saw him.
Lady M.
Fye, for shame!
Macb. Blood hath been shed ere now, i' the olden
time,

Ere human statute purg'd the general weal;
Ay, and since, too, murders have been perform'd
Too terrible for the ear: the times have been,
That, when the brains were out, the man would die,
And there an end: but now, they rise again,
With twenty mortal murders on their crowns,
And push us from our stools: This is more strange
Than such a murder is.

Lady M.
My worthy lord,
Your noble friends do lack you.
Mach.

I do forget:-
Do not muse' at me, my most worthy friends;
I have a strange infirmity, which is nothing
To those that know me." Come, love and health to

all; Then I'll sit down:-Give me some wine, fill full: I'll drink to the general joy of the whole table,

Ghost rises.

And to our dear friend Banquo, whom we miss; 'Would, he were here! to all, and him, we thirst, And all to all."

Lords.

Our duties, and the pledge. Macb. Avaunt! and quit my sight! Let the earth hide thee!

Thy bones are marrowless, thy blood is cold;
Thou hast no speculation" in those eyes
Which thou dost glare with!

Lady M.

Mach. What man dare, I dare: Approach thou like the rugged Russian bear, The arm'd rhinoceros, or the Hyrcan tiger, Take any shape but that, and my firm nerves Shall never trembie: Or, be alive again, And dare me to the desert with thy sword: If trembling I inhabit then, protest me The baby of a girl. Hence, horrible shadow! [Ghost disappears. Unreal mockery, hence!-Why, so ;-being gone, I am a man again.-'Pray you, sit still. Lady M. You have displac'd the mirth, broke the good meeting,

With most admir'd disorder.

Macb.

Can such things be, And overcome!" us like a summer's cloud, Without our special wonder? You make me strange Even to the disposition that I owe,11 When now I think you can behold such sights,12 And keep the natural ruby of your cheeks, When mine are blanch'd with fear.

Rosse.

What sights, my lord? Lady M. I pray you, speak not; he grows worse and worse;

Question enrages him: at once, good night:-
Stand not upon the order of your going,
But go at once.

Good night, and better health

Len. Attend his majesty! Lady M.

A kind good night to all! [Exeunt Lords and Attendants. Macb. It will have blood; they say, blood will have blood;

Stones have been known to move, and trees to

speak;

Augures and understood relations have,

By magot-pies, and choughs, and rooks, brought forth

The secret'st man of blood.-What is the night? Lady M. Almost at odds with morning, which 13

which.

Macb. How say'st thou,14 that Macduff denies
his person,
At our great bidding?
Lady M.

Did you send to hum, sir?
Mach. I hear it by the way; but I will send:
There's not a one of them, but in his hease
I keep a servant fee'd. I will, to-morrow,
(And betimes I will,) to the weird siers:
More shall they speak; for now I am bent to know,
By the worst means, the worst: for mine own good,
All causes shall give way: I am in blood

Think of this, good peers, Stept in so far, that, should I wade no more,

But as a thing of custom: 'tis no other;
Only it spoils the pleasure of the time.

I i. e. prolong his suffering, make his fit longer.
2 Flairs are sudden gusts.

3 Impostors to true fear." Warburton's learning serves him not here; his explanation is erroneous. Malone idly suggests that to may be used for of. Mason has hit the meaning, though his way of accounting for it is wrong. It seems strange that none of the commentators should be aware that this was a form of elliptic expression, commonly used even at this day, in the phrase 'this is nothing to them,' i. e. in comparison to them.

4 The same thought occurs in Spenser's Faerie Queene, b. ii. c. viii. :-

Be not entombed in the raven or the kight. 5 Shakspeare uses to muse for to wonder, to be in

amaze.

6 That is, we desire to drink all good wishes to all. 7 Thou hast no speculation in those eyes.' Bullokar, In his Expositor, 1616, explains Speculation, the inward knowledge or beholding of a thing.' Thus, in the 115th Psalm:-Eyes have they, but see not.'

8 Hyrean for Hyrcanian was the mode of expression at that time.

9 Pope changed inhabit, the reading of the old copy, to inhibit, and Steevens altered then to thee, so that in the late editions this line runs:

'If trembling I inhibit thee, protest me

The baby of a girl.'

To inhibit is to forbid, a meaning which will not suit With the context of the passage. The original text is

Returning were as tedious as go o'er:

sufficiently plain, and much in Shakspeare's manner. 'Dare me to the desert with thy sword; if then I do not meet thee there; if trembling I stay in my castle, or any habitation; if I then hide my head, or dwell in any place through fear, protest me the baby of a girl." If had not been for the meddling of Pope and others, this passage would have hardly required a note. 10 Overcome us,' pass over us without wonder, as a casual summer's cloud passes unregarded. 11 i. e. possess.

12 You strike me with amazement, make me scarce know myself, now when I think that you can behold such sights unmoved,' &c.

13 i. e. auguries, divinations; formerly spelt augures, as appears by Florio in voce augurio. By understood relations, probably, connected circumstances relating to the crime are meant. I am inclined to think that the passage should be pointed thus:

Stones have been known to move, and trees to speak
Augures; and understood relations have,
By magot-pies, and choughs, and rooks, brought forth
The secret's man of blood.'

In all the modern editions we have it erroneously augurs. Magot-pie is the original name of the magpie: stories such as Shakspeare alludes to are to be found in Lupton's Thousand Notable Things, and in Goulart's Admirable Histories.

14 i. e. what say'st thou to this circumstance? Thus, in Macbeth's address to his wife, on the first appearance of Banquo's ghost!—

behold! look! lo! how say you?"

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Is the initiate fear, that wants hard use:-
We are yet but young in deed.3
[Exeunt.
SCENE V. The Heath. Thunder. Enter HE-
CATE, meeting the three Witches.

1 Witch. Why, how now, Hecate? you look
angerly.

Hec. Have I not reason, beldames, as you are,
Saucy, and overbold? How did you dare
To trade and traffic with Macbeth,

In riddles and affairs of death;

And I, the mistress of your charms,
The close contriver of all harms,
Was never call'd to bear my part,
Or show the glory of our art?
And, which is worse, all you have done
Hath been but for a wayward son,
Spiteful, and wrathful; who, as others do,
Loves for his own ends, not for you.
But make amends now: Get you gone,
And at the pit of Acheron

Meet me i' the morning; thither he
Will come to know his destiny.

Your vessels, and your spells, provide,
Your charms, and every thing beside;
I am for the air; this night I'll spend
Unto a dismal and a fatal end.

Great business must be wrought ere noon:
Upon the corner of the moon
There hangs a vaporous drop profound;"
I'll catch it ere it come to ground:
And that, distill'd by magic slights,
Shall raise such artificial sprights,
As, by the strength of their illusion,
Shall draw him on to his confusion:

6

He shall spurn fate, scorn death, and bear
His hopes 'bove wisdom, grace, and fear:
And all know, security

you

Is mortal's chiefest enemy.

Song. [Within.] Come away, come away, &c." Hark, I am call'd; my little spirit, see, Sits in a foggy cloud, and stays for me. [Exit. 1 Witch. Come, let's make haste she'll ; soon be back again. [Exeunt. SCENE VI. Fores. A Room in the Palace. Enter LENOX and another Lord.

Things have been strangely borne: The gracious
Duncan

Was pitied of Macbeth :-marry, he was dead:-
And the right-valiant Banquo walk'd too late;
Whom you may say, if it please you, Fleance
kill'd,

For Fleance fled. Men must not walk too late.
Who cannot want the thought, how monstrous
To kill their gracious father? damned fact!
It was for Malcolm, and Dona!bain,
How it did grieve Macbeth! did he not straight,
In pious rage, the two delinquents tear,
That were the slaves of drink, and thralls of sleep?
Was not that nobly done? Ay, and wisely too;
For, 'twould have anger'd any heart alive,
To hear the men deny it. So that, I say,
He has borne all things well: and I do think,
That, had he Duncan's sons under his key,
(As, an't please heaven, he shall not,) they should

find

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Lord.
From whom this tyrant holds the due of birth,
Lives in the English court; and is receiv'd
Of the most pious Edward with such grace,
That the malevolence of fortune nothing
Takes from his high respect: Thither Macduff
Is gone to pray the holy king, upon his aid
To wake Northumberland, and warlike Siward:
That, by the help of these, (with Him above
To ratify the work,) we may again

10

Give to our tables meat, sleep to our nights;
Free from our feasts and banquets bloody knives;'
Do faithful homage, and receive free honours,1
All which we pine for now: And this report
Hath so exasperate" the king, that he
Prepares for some attempt of war.

Len.
Sent he to Macduff?
Lord. He did: and with an absolute, Sir, not I,
The cloudy messenger turns me his back,
And hums; as who should say, You'll rue the time
That clogs me with this answer.
Len.
And that well might
Advise him to a caution, to hold what distance
His wisdom can provide. Some holy angel
Fly to the court of England, and unfold
His message ere he come; that a swift blessing
May soon return to this our suffering country

Len. My former speeches have but hit your Under a hand accurs'd !12

thoughts,

Which can interpret further: only, I say,

1 i. e. examined nicely.

2 'You lack the season of all natures, sleep.' Johnson explains this, You want sleep, which seasons or gives the relish to all natures. Indiget somni vitæ condimenti. So in All's Well that Ends Well: Tis the best brine a maiden can season her praise in.' It has, however, been suggested that the meaning is, 'You stand in need of the time or season of sleep which all natures require.' I incline to the last interpretation. 3 The editions previous to Theobald's read:'We're but young indeed.'

The initiate fear is the fear that always attends the first Initiation into guilt, before the mind becomes callous and insensible by hard use or frequent repetition of it.

Lord. I'll send my prayers with him! [Exeunt.

longing to the same goddess, she could not properly be employed in one character to catch a drop that fell from her in another. In a Midsummer Night's Dream, however, the poet was sufficiently aware of her threefold capacity :

fairies, that do run

By the triple Hecat's team.' The vaporous drop profound seems to have been meant for the same as the virus lunare of the ancients, being a foam which the moon was supposed to shed on particu lar herbs, or other objects, when strongly solicited by enchantment.

6 Slights are arts, subtle practices.

7 This song is to be found entire in The Witch, by Middleton.

9 Free from our feasts and banquets bloody knives.' The construction is:- Free our feasts and banquets from bloody knives.'

4 Shakspeare has been unjustly censured for introdu- 8 Who cannot want the thought;' &c. The sense cing Hecate among the vulgar witches, and consequent-requires who can want the thought; but it is probably ly for confounding ancient with modern superstitions. a lapse of the poet's pen. But the poet has elsewhere shown himself well acquainted with the classical connexion which this deity had with witchcraft. Reginald Scot, in his discovery, mentions it as the common opinion of all writers, that witches were supposed to have nightly meetings with Herodias and the Pagan gods,' and that in the night time they ride abroad with Diana, the goddess of the Pagans, &c. Their dame or chief leader seems always to have been an old Pagan, as the Ladie Sibylla, Minerva, or Diana.'

5 Steevens remarks that Shakspeare's mythological knowledge on this occasion appears to have deserted him; for as Hecate is only one of the three names be

10 Johnson says, 'Free may be either honours freely bestowed, not purchased by crimes; or honours without slavery, without dread of a tyrant.' I have shown in a note on Twelfth Night, Act ii. Sc. 4. that free meant pure, chaste, consequently unspotted, which may be its meaning here. Free also meant noble. See note on the Second Part of King Henry VI. Act iii. Sc. 1. 11 Exasperate, for exasperated.

12 The construction is, to this our country, suffering under a hand accursed.'

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