ACT III. But to be safely thus :-Our fears in Banquo SCENE I. Fores. A Room in the Palace. Enter Stick deep; and in his royalty of nature BANQUO. Ban. Thou hast it now, King, Cawdor, Glamis, all, But that myself should be the root and father Mach. Here's our chief guest. If he had been forgotten, Macb. To-night we hold a solemn supper,1 sir, And I'll request your presence. Ban. Let your highness Command upon me; to the which, my duties Are with a most indissoluble tie upon us. Macb. I wish your horses swift and sure of foot; And so I do commend you to their backs. Farewell. [Exit BANQUO. Let every man be master of his time Till seven at night; to make society The sweeter welcome, we will keep ourself Till supper-time alone: while then, God be with you. [Exeunt LADY MACBETH, Lords, Ladies, &c. Sirrah, a word with you: attend those men Our pleasure? Atten. They are, my lord, without the palace-gate. Macb. Bring them before us.-[Exit Atten.] To be thus is nothing; 1 A solemn supper.' This was the phrase of Shak. speare's time for a feast or banquet given on a particular occasion, to solemnize any event, as a birth, marriage, coronation, &c. Howel, in a letter to Sir T. Hawke, 1636, says, I was invited yesternight to a solemne supper by B. J. [Ben Jonson,] where you were deeply remembered.' 2 i. e. if my horse does not go well. Shakspeare often uses the comparative for the positive and superla 5 And to that,' i. e. in addition to. 6 For defiled. 7The common enemy of man.' Shakspeare repeats the phrase in Twelfth Night, Act iii. Sc. 4:- Defy the devil: consider, he's an enemy to mankind. The phrase was common among his contemporaries; the word fiend, Johnson remarks, signifies enemy. 8To the utterance.' This phrase, which is found in writers who preceded Shakspeare, is borrowed from the French; se battre a l'outrance, to fight desperately or to extremity, even to death. The sense therefore is: Reigns that, which would be fear'd: "Tis much he dares ; And, to that dauntless temper of his mind, To make them kings; the seed of Banquo kings! there? Re-enter Attendant, with two Murderers. Now go to the door, and stay there till we call. [Exit Attendant. Was it not yesterday we spoke together? Who wrought with them; and all things else, that might, To half a soul, and to a notion craz'd, You made it known to us. All by the name of dogs: the valued file14 Let fate, that has foredoomed the exaltation of Banquo's sons, enter the lists against me in defence of its own de crees, I will fight against it to the extremity, whatever be the consequence.' 9 i. e. 'passed in proving to you.' 10 To bear in hand is to delude by encouraging hope and holding out fair prospects, without any intention of performance. 11 i. e. are you so obedient to the precept of the gospel, which teaches us to pray for those who despitefully use us?' 12 Shoughs are probably what we now call shocks. Nashe, in his Lenten Stuffe, mentions them, 'a trundletail tike or shough or two."" 13 Cleped, called. 14 The valued file is the descriptive list wherein their value and peculiar qualities are set down; such a list of dogs may be found in Junius's Nomenclator, by Fleming, and may have furnished Shakspeare with the idea. 15 Particular addition, title, description. Both of you Know, Banquo was your enemy. 2 Mur. True, my lord. Macb. So is he mine: and in such bloody distance,1 That every minute of his being thrusts 2 Mur. Perform what you command us. 1 Mur. We shall, my lord, Though our lives Macb. Your spirits shine through you. Within I will advise you where to plant yourselves: 2 Mur. SCENE II. The same. Another Room. Enter Lady M. Is Banquo gone from court? For a few words. 1 Bloody distance' is mortal enmity. Serv. Madam, I will. (Eril. Nought's had, all's spent, How now, my lord? why do you keep alone, Macb. We have scotch'd the snake, not kill'dit; Both the worlds suffer, Ere we will eat our meal in fear, and sleep In restless ecstacy. Duncan is in his grave; Treason has done his worst; nor steel, nor poison, Lady M. Come on, gentle my lord; So shall I, love; Mach. Makes wing to the rooky wood: 14 confirms this explanation. Many of Shakspeare's al 2 i. e. the exact time when you may look out or lie in lusions are to legal customs. wait for him. That I require a clearness." 11 That is, the beetle borne along the air by its shards or scaly wings. Steevens had the merit of first showing that shard or sherd was the ancient word for a scale of 'Always remembering that I must stand clear of sus- outward covering, a case or sheath; as appears from the picion." 4 Sorriest, most melancholy. following passage cited by him from Gower's Confessio "She sigh, her thought a dragon tho, 5 The first folio reads peuce; the second folio place. 7 Remembrance is here employed as a quadrisyl. lable. & Present him eminence, do him the highest honour. 9 The sense of this passage (though clouded by meta. phor, and perhaps by omission) appears to be as fol lows:It is a sign that our royalty is unsafe, when it must descend to flattery, and stoop to dissimulation.' The present arrangement of the text is by Malone. 10 Ritson has justly observed, that Nature's copy' alludes to copyhold tenure, in which the tenant holds an estate for life, having nothing but the copy of the rolls of his lord's court to show for it. A life-hold tenure may well be said to be not eternal. The subsequent speech of Macbeth, in which he says, Cancel and tear to pieces that great bond.› 'He was so sherded all about, 12 i. e. blinding: to seel up the eyes of a hawk was to 'Cancel his bond of life, dear God, I pray.' 'Fold your flocks up, for the air 'Gins to thicken, and the sun Already his great course hath run.' Spenser, in the Shepherd's Calendar, has:the welkin thicks apace.' Notwithstanding Mr. Steevens's ingenious attempts to explain the rooky wood otherwise, it surely means no 1 Mur. His horses go about. 3 Mur. Almost a mile: but he does usually, So all men do, from hence to the palace gate Fleance is 'scap'd. Macb. Then comes my fit again: I had else been Whole as the marble, founded as the rock; morrow We'll hear ourselves again. [Exit Murderer. Lady M. My royal lord, You do not give the cheer: the feast is sold, That is not often vouch'd while 'tis a making, Enter BANQUO and FLEANCE, a Servant with a Tis given with welcome: To feed were best at Make it their walk. 2 Mur. 3 Mur. Torch preceding them. 1 Mur. Stand to't. Let it come down. [Assaults BANQUO. Ban. O, treachery! Fly, good Fleance, fly, fly, fy; Thou may'st revenge.__ O slave! [Dies. Fleance and Servant escape.3 3 Mur. Who did strike out the light? 1 Mur. Was't not the way? 3 Mur. There's but one down: the son is fled. 2 Mur. We have lost best half of our affair. 1 Mur. Well, let's away, and say how much is Lays blame upon his promise. Please it your highdone. SCENE IV. A Room of State in the Palace. A Macb. See, they encounter thee with their hearts' Banquo, who was equally concerned with Macbeth in thanks: the murder of Duncan, as innocent of that crime. thing more than the wood inhabited by rooks. The poet has shown himself a close observer of nature, in mark-A ing the return of these birds to their nest-trees when the day is drawing to a close. iSee note on King Richard III. Act iv. Sc. 1. 2 i. e. they who are set down in the list of guests, and expected to supper. 3 Fleance, after the assassination of his father, fled into Wales, where, by the daughter of the prince of that country, he had a son named Walter, who afterwards became Lord High Steward of Scotland, and from thence assumed the name of Sir Walter Steward. From him, in a direct line, King James I. was descended; in compliment to whom Shakspeare has chosen to describe 5 Keeps her state,' continues in her chair of state state was a royal chair with a canopy over it. 6Tis better thee without than he within,' that is, am better pleased that the blood of Banquo should be o.. thy face than in his body. He is put for him. 7 With twenty trenched gashes on his head. From the French trancher, to cut. 8 Macbeth betrays himself by an overacted regard for Banquo, of whose absence from the feast he affects to complain, that he may not be suspected of knowing the cause, though at the same time he very unguardedly drops an allusion to that cause. May I seems to imply here a wish, not an assertion. 9 i. e. as speedily as thought can be exerted. Lady M. You shall offend him, and extend his passion;1 Mach. Pr'ythee, see there! behold! look! lo! Why, what care I? If thou canst nod, speak too. Ere human statute purg'd the general weal; Lady M. I do forget:- all; Then I'll sit down:-Give me some wine, fill full: I'll drink to the general joy of the whole table, Ghost rises. And to our dear friend Banquo, whom we miss; 'Would, he were here! to all, and him, we thirst, And all to all." Lords. Our duties, and the pledge. Macb. Avaunt! and quit my sight! Let the earth hide thee! Thy bones are marrowless, thy blood is cold; Lady M. Mach. What man dare, I dare: Approach thou like the rugged Russian bear, The arm'd rhinoceros, or the Hyrcan tiger, Take any shape but that, and my firm nerves Shall never trembie: Or, be alive again, And dare me to the desert with thy sword: If trembling I inhabit then, protest me The baby of a girl. Hence, horrible shadow! [Ghost disappears. Unreal mockery, hence!-Why, so ;-being gone, I am a man again.-'Pray you, sit still. Lady M. You have displac'd the mirth, broke the good meeting, With most admir'd disorder. Macb. Can such things be, And overcome!" us like a summer's cloud, Without our special wonder? You make me strange Even to the disposition that I owe,11 When now I think you can behold such sights,12 And keep the natural ruby of your cheeks, When mine are blanch'd with fear. Rosse. What sights, my lord? Lady M. I pray you, speak not; he grows worse and worse; Question enrages him: at once, good night:- Good night, and better health Len. Attend his majesty! Lady M. A kind good night to all! [Exeunt Lords and Attendants. Macb. It will have blood; they say, blood will have blood; Stones have been known to move, and trees to speak; Augures and understood relations have, By magot-pies, and choughs, and rooks, brought forth The secret'st man of blood.-What is the night? Lady M. Almost at odds with morning, which 13 which. Macb. How say'st thou,14 that Macduff denies Did you send to hum, sir? Think of this, good peers, Stept in so far, that, should I wade no more, But as a thing of custom: 'tis no other; I i. e. prolong his suffering, make his fit longer. 3 Impostors to true fear." Warburton's learning serves him not here; his explanation is erroneous. Malone idly suggests that to may be used for of. Mason has hit the meaning, though his way of accounting for it is wrong. It seems strange that none of the commentators should be aware that this was a form of elliptic expression, commonly used even at this day, in the phrase 'this is nothing to them,' i. e. in comparison to them. 4 The same thought occurs in Spenser's Faerie Queene, b. ii. c. viii. :- Be not entombed in the raven or the kight. 5 Shakspeare uses to muse for to wonder, to be in amaze. 6 That is, we desire to drink all good wishes to all. 7 Thou hast no speculation in those eyes.' Bullokar, In his Expositor, 1616, explains Speculation, the inward knowledge or beholding of a thing.' Thus, in the 115th Psalm:-Eyes have they, but see not.' 8 Hyrean for Hyrcanian was the mode of expression at that time. 9 Pope changed inhabit, the reading of the old copy, to inhibit, and Steevens altered then to thee, so that in the late editions this line runs: 'If trembling I inhibit thee, protest me The baby of a girl.' To inhibit is to forbid, a meaning which will not suit With the context of the passage. The original text is Returning were as tedious as go o'er: sufficiently plain, and much in Shakspeare's manner. 'Dare me to the desert with thy sword; if then I do not meet thee there; if trembling I stay in my castle, or any habitation; if I then hide my head, or dwell in any place through fear, protest me the baby of a girl." If had not been for the meddling of Pope and others, this passage would have hardly required a note. 10 Overcome us,' pass over us without wonder, as a casual summer's cloud passes unregarded. 11 i. e. possess. 12 You strike me with amazement, make me scarce know myself, now when I think that you can behold such sights unmoved,' &c. 13 i. e. auguries, divinations; formerly spelt augures, as appears by Florio in voce augurio. By understood relations, probably, connected circumstances relating to the crime are meant. I am inclined to think that the passage should be pointed thus: Stones have been known to move, and trees to speak In all the modern editions we have it erroneously augurs. Magot-pie is the original name of the magpie: stories such as Shakspeare alludes to are to be found in Lupton's Thousand Notable Things, and in Goulart's Admirable Histories. 14 i. e. what say'st thou to this circumstance? Thus, in Macbeth's address to his wife, on the first appearance of Banquo's ghost!— behold! look! lo! how say you?" Is the initiate fear, that wants hard use:- 1 Witch. Why, how now, Hecate? you look Hec. Have I not reason, beldames, as you are, In riddles and affairs of death; And I, the mistress of your charms, Meet me i' the morning; thither he Your vessels, and your spells, provide, Great business must be wrought ere noon: 6 He shall spurn fate, scorn death, and bear you Is mortal's chiefest enemy. Song. [Within.] Come away, come away, &c." Hark, I am call'd; my little spirit, see, Sits in a foggy cloud, and stays for me. [Exit. 1 Witch. Come, let's make haste she'll ; soon be back again. [Exeunt. SCENE VI. Fores. A Room in the Palace. Enter LENOX and another Lord. Things have been strangely borne: The gracious Was pitied of Macbeth :-marry, he was dead:- For Fleance fled. Men must not walk too late. find Lord. 10 Give to our tables meat, sleep to our nights; Len. Len. My former speeches have but hit your Under a hand accurs'd !12 thoughts, Which can interpret further: only, I say, 1 i. e. examined nicely. 2 'You lack the season of all natures, sleep.' Johnson explains this, You want sleep, which seasons or gives the relish to all natures. Indiget somni vitæ condimenti. So in All's Well that Ends Well: Tis the best brine a maiden can season her praise in.' It has, however, been suggested that the meaning is, 'You stand in need of the time or season of sleep which all natures require.' I incline to the last interpretation. 3 The editions previous to Theobald's read:'We're but young indeed.' The initiate fear is the fear that always attends the first Initiation into guilt, before the mind becomes callous and insensible by hard use or frequent repetition of it. Lord. I'll send my prayers with him! [Exeunt. longing to the same goddess, she could not properly be employed in one character to catch a drop that fell from her in another. In a Midsummer Night's Dream, however, the poet was sufficiently aware of her threefold capacity : fairies, that do run By the triple Hecat's team.' The vaporous drop profound seems to have been meant for the same as the virus lunare of the ancients, being a foam which the moon was supposed to shed on particu lar herbs, or other objects, when strongly solicited by enchantment. 6 Slights are arts, subtle practices. 7 This song is to be found entire in The Witch, by Middleton. 9 Free from our feasts and banquets bloody knives.' The construction is:- Free our feasts and banquets from bloody knives.' 4 Shakspeare has been unjustly censured for introdu- 8 Who cannot want the thought;' &c. The sense cing Hecate among the vulgar witches, and consequent-requires who can want the thought; but it is probably ly for confounding ancient with modern superstitions. a lapse of the poet's pen. But the poet has elsewhere shown himself well acquainted with the classical connexion which this deity had with witchcraft. Reginald Scot, in his discovery, mentions it as the common opinion of all writers, that witches were supposed to have nightly meetings with Herodias and the Pagan gods,' and that in the night time they ride abroad with Diana, the goddess of the Pagans, &c. Their dame or chief leader seems always to have been an old Pagan, as the Ladie Sibylla, Minerva, or Diana.' 5 Steevens remarks that Shakspeare's mythological knowledge on this occasion appears to have deserted him; for as Hecate is only one of the three names be 10 Johnson says, 'Free may be either honours freely bestowed, not purchased by crimes; or honours without slavery, without dread of a tyrant.' I have shown in a note on Twelfth Night, Act ii. Sc. 4. that free meant pure, chaste, consequently unspotted, which may be its meaning here. Free also meant noble. See note on the Second Part of King Henry VI. Act iii. Sc. 1. 11 Exasperate, for exasperated. 12 The construction is, to this our country, suffering under a hand accursed.' |