Passion Made Public: Elizabethan Lyric, Gender, and PerformancePassion Made Public explores the remarkable vitality of lyrical poetry in Elizabethan theatrical performances, analyzing its complex social and aesthetic origins, uses, and messages. Diana Henderson explains how lyric poetry in plays by Peele, Marlowe, and Shakespeare reflected a range of attitudes toward female power and created an alternative landscape in which to reconsider political and sexual ideologies. |
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Índice
Elizabethan Contexts | 33 |
Elizabeths Watchful Eye and George Peeks Court Drama Female Power and the Lyric of Praise | 85 |
Unhappy Dido Marlowes Lyric Strains | 120 |
Shakespeares Laboring Lovers Lyric and Its Discontents | 167 |
Legacy | 214 |
| 251 | |
| 267 | |
Palavras e frases frequentes
Aeneas aesthetic appears Arraignment artistic association attempt audience authority beauty becomes Berowne characters claims complex context court courtly create critical cultural death desire Dido Dido's discourse discussion drama earlier echo Elizabeth Elizabethan emphasizes English erotic especially female feminine fiction figure final force Gascoigne Gascoigne's gender gives ideal implies ironic king ladies language later less limits lines literary lords Love's Labour's Lost lovers lyric poetry male Marlowe Marlowe's marriage means misogyny moral Moreover move narrative nature notes obviously Paris particular passion Peele Peele's performance perspective Petrarchan play play's poem poet poetic political position praise present queen reading regards remains representation represented rhetoric role scene seems sense serve sexual Shakespeare's shift social song sonnet sovereign sovereignty speaker speech stage story style suggests tion tradition turn verse vision voice woman women writing
Passagens conhecidas
Página 5 - But, soft! what light through yonder window breaks! It is the east, and Juliet is the sun ! — Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she...
Página 21 - O western wind, when wilt thou blow, That the small rain down can rain? Christ, that my love were in my arms, And I in my bed again!
Página 1 - Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this ; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers
Referências a este livro
Sonnet Sequences and Social Distinction in Renaissance England Christopher Warley Pré-visualização limitada - 2005 |
Dwelling in Possibility: Women Poets and Critics on Poetry Yopie Prins,Maeera Shreiber Pré-visualização limitada - 1997 |
Informação bibliográfica
| Título | Passion Made Public: Elizabethan Lyric, Gender, and Performance Literature: Renaissance studies Passion Made Public: Elizabethan Lyric, Gender, and Performance, Diana E. Henderson |
| Autor | Diana E. Henderson |
| Editora | University of Illinois Press, 1995 |
| ISBN | 0252064607, 9780252064609 |
| Número de páginas | 279 páginas |
| Exportar citação | BiBTeX EndNote RefMan |