Passion Made Public: Elizabethan Lyric, Gender, and PerformanceUniversity of Illinois Press, 1995 - 279 páginas |
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Página
... Peele's Gaze : Court Drama , Female Power , and the Lyric of Praise 85 THREE " Unhappy Dido " : Marlowe's Lyric Strains 120 FOUR Shakespeare's Laboring Lovers : Lyric and Its Discontents 167 FIVE Legacy 214 Works Cited 251 Index 267 ...
... Peele's Gaze : Court Drama , Female Power , and the Lyric of Praise 85 THREE " Unhappy Dido " : Marlowe's Lyric Strains 120 FOUR Shakespeare's Laboring Lovers : Lyric and Its Discontents 167 FIVE Legacy 214 Works Cited 251 Index 267 ...
Página 6
... Peele and Christopher Marlowe that were more directly aimed at a court audience , and indeed in other Elizabethan plays by Shakespeare such as Love's Labour's Lost , lyri- cism functions variously ; those plays raise issues similar to ...
... Peele and Christopher Marlowe that were more directly aimed at a court audience , and indeed in other Elizabethan plays by Shakespeare such as Love's Labour's Lost , lyri- cism functions variously ; those plays raise issues similar to ...
Página 8
... Peele wrote for his female sovereign . " This desire to address a particular audience obviously does not erase the playwright's own investment and mark in the collabora- tive cultural production , but surely complicates our reading of ...
... Peele wrote for his female sovereign . " This desire to address a particular audience obviously does not erase the playwright's own investment and mark in the collabora- tive cultural production , but surely complicates our reading of ...
Página 24
... by performance theorists and literary theorists alike.28 In the courtly scripts of George Peele , Christopher Marlowe , and William Shakespeare , lyricism functions variously and beautifully . Attending to 24 Passion Made Public.
... by performance theorists and literary theorists alike.28 In the courtly scripts of George Peele , Christopher Marlowe , and William Shakespeare , lyricism functions variously and beautifully . Attending to 24 Passion Made Public.
Página 25
... Peele asserts the triumph of a social language and chastened lyricism , an assertion clearly and directly rejected by Marlowe in Dido , Queen of Carthage . These two tales of Troy , moreover , connect the fate of poetic language quite ...
... Peele asserts the triumph of a social language and chastened lyricism , an assertion clearly and directly rejected by Marlowe in Dido , Queen of Carthage . These two tales of Troy , moreover , connect the fate of poetic language quite ...
Índice
Elizabethan Contexts | 33 |
Elizabeths Watchful Eye and George Peeks Court Drama Female Power and the Lyric of Praise | 85 |
Unhappy Dido Marlowes Lyric Strains | 120 |
Shakespeares Laboring Lovers Lyric and Its Discontents | 167 |
Legacy | 214 |
251 | |
267 | |
Palavras e frases frequentes
Aeneas Aeneas's aesthetic aristocratic Arraignment of Paris artistic audience authority beauty Berowne Berowne's characters Christopher Marlowe Colin comic complex context courtiers courtly love courtly lyricism create critical cultural desire Diana Dido Dido's discourse earthly echo Elizabeth Elizabethan Elizabethan lyrical emphasizes English erotic female power female sovereignty feminine fiction figure Gascoigne Gascoigne's gender George Gascoigne George Peele goddess ideal Kenilworth ladies language literary lords love lyrics Love's Labour's Lost lovers lyric poetry lyrical drama lyricist male Marlowe Marlowe's lyric marriage masculine Midsummer Night's Dream moral narrative Neoplatonic obviously Oenone onstage pageant passion Peele Peele's performance perspective Petrarchan Petrarchan sonnets Petrarchism play's playwright poem poet poetic political praise queen representation rhetoric role romantic Romeo and Juliet Rosaline satiric scene sexual Shakespeare's Sidney Sidney's social song sonnet sovereign speaker speech Spenser stage style Tamburlaine temporal tensions theatrical thou tion tradition tropes verse vision voice woman women words
Passagens conhecidas
Página 5 - But, soft! what light through yonder window breaks! It is the east, and Juliet is the sun ! — Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she...
Página 21 - O western wind, when wilt thou blow, That the small rain down can rain? Christ, that my love were in my arms, And I in my bed again!
Página 1 - Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this ; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers
Referências a este livro
Sonnet Sequences and Social Distinction in Renaissance England Christopher Warley Pré-visualização limitada - 2005 |
Dwelling in Possibility: Women Poets and Critics on Poetry Yopie Prins,Maeera Shreiber Pré-visualização limitada - 1997 |