Passion Made Public: Elizabethan Lyric, Gender, and PerformanceUniversity of Illinois Press, 1995 - 279 páginas |
No interior do livro
Resultados 1-5 de 35
Página 7
... discussing lyricism predominantly in the Petrarchan , courtly love tradition , we find that issues of sexuality and power embrace ; the resulting association between amatory lyric poetry and char- acterization of the feminine has had ...
... discussing lyricism predominantly in the Petrarchan , courtly love tradition , we find that issues of sexuality and power embrace ; the resulting association between amatory lyric poetry and char- acterization of the feminine has had ...
Página 12
... discussion of the Kenilworth pageants to mock and disturb the poet ( although McCoy ad- mits that she treated Gascoigne kindly - it was his own indecorous action that " clearly shattered his authorial composure and control " [ 29 ] ...
... discussion of the Kenilworth pageants to mock and disturb the poet ( although McCoy ad- mits that she treated Gascoigne kindly - it was his own indecorous action that " clearly shattered his authorial composure and control " [ 29 ] ...
Página 13
... discussing the historical development of the concept of the female subject , remarks that " It is an odd but indisputable fact that the seventeenth- century women whom we think of as the forerunners and founders of femi- nism were ...
... discussing the historical development of the concept of the female subject , remarks that " It is an odd but indisputable fact that the seventeenth- century women whom we think of as the forerunners and founders of femi- nism were ...
Página 15
... discussing the " plain style in love , " Winters regards the object of " unaffected " aspersion in Sir Thomas Wyatt's " Blame not my lute ” to be an " affected lady , " although he notes elsewhere that the lover might seem arro- gant ...
... discussing the " plain style in love , " Winters regards the object of " unaffected " aspersion in Sir Thomas Wyatt's " Blame not my lute ” to be an " affected lady , " although he notes elsewhere that the lover might seem arro- gant ...
Página 22
... discussion of such musicality in Romantic criticism , music " con- stituting the very pulse and quiddity of passion made public " and hence useful in attempts “ to define and illustrate the nature of poetry , particularly of the lyric ...
... discussion of such musicality in Romantic criticism , music " con- stituting the very pulse and quiddity of passion made public " and hence useful in attempts “ to define and illustrate the nature of poetry , particularly of the lyric ...
Índice
Elizabethan Contexts | 33 |
Elizabeths Watchful Eye and George Peeks Court Drama Female Power and the Lyric of Praise | 85 |
Unhappy Dido Marlowes Lyric Strains | 120 |
Shakespeares Laboring Lovers Lyric and Its Discontents | 167 |
Legacy | 214 |
251 | |
267 | |
Palavras e frases frequentes
Aeneas Aeneas's aesthetic aristocratic Arraignment of Paris artistic audience authority beauty Berowne Berowne's characters Christopher Marlowe Colin comic complex context courtiers courtly love courtly lyricism create critical cultural desire Diana Dido Dido's discourse earthly echo Elizabeth Elizabethan Elizabethan lyrical emphasizes English erotic female power female sovereignty feminine fiction figure Gascoigne Gascoigne's gender George Gascoigne George Peele goddess ideal Kenilworth ladies language literary lords love lyrics Love's Labour's Lost lovers lyric poetry lyrical drama lyricist male Marlowe Marlowe's lyric marriage masculine Midsummer Night's Dream moral narrative Neoplatonic obviously Oenone onstage pageant passion Peele Peele's performance perspective Petrarchan Petrarchan sonnets Petrarchism play's playwright poem poet poetic political praise queen representation rhetoric role romantic Romeo and Juliet Rosaline satiric scene sexual Shakespeare's Sidney Sidney's social song sonnet sovereign speaker speech Spenser stage style Tamburlaine temporal tensions theatrical thou tion tradition tropes verse vision voice woman women words
Passagens conhecidas
Página 5 - But, soft! what light through yonder window breaks! It is the east, and Juliet is the sun ! — Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she...
Página 21 - O western wind, when wilt thou blow, That the small rain down can rain? Christ, that my love were in my arms, And I in my bed again!
Página 1 - Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this ; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers
Referências a este livro
Sonnet Sequences and Social Distinction in Renaissance England Christopher Warley Pré-visualização limitada - 2005 |
Dwelling in Possibility: Women Poets and Critics on Poetry Yopie Prins,Maeera Shreiber Pré-visualização limitada - 1997 |