Passion Made Public: Elizabethan Lyric, Gender, and PerformanceUniversity of Illinois Press, 1995 - 279 páginas |
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Página 3
... representation ? what are the associations between gender and lyric poetry that influence our criticism of the representation ? and what in- terpretive strategies do we employ when viewing this lyric poetry within a stage performance ...
... representation ? what are the associations between gender and lyric poetry that influence our criticism of the representation ? and what in- terpretive strategies do we employ when viewing this lyric poetry within a stage performance ...
Página 6
... representation of lyric and the diverse , subtle social commentary dramatized on the Elizabethan stage . Kenneth Muir boldly asserts that this “ greatest period of the lyric co- incided with the finest period of drama , ” and that “ in ...
... representation of lyric and the diverse , subtle social commentary dramatized on the Elizabethan stage . Kenneth Muir boldly asserts that this “ greatest period of the lyric co- incided with the finest period of drama , ” and that “ in ...
Página 8
... representations of gender on the seventeenth - century public stage ; if true there , how much more overtly so when a courtier such as George Gascoigne or George Peele wrote for his female sovereign . " This desire to address a ...
... representations of gender on the seventeenth - century public stage ; if true there , how much more overtly so when a courtier such as George Gascoigne or George Peele wrote for his female sovereign . " This desire to address a ...
Página 9
... representation in lyrical drama demands special attention not only to the artistic fiction- making involved in representing particular queens but also to the multiple aspects of queenship which made Elizabeth exceptional as a woman ...
... representation in lyrical drama demands special attention not only to the artistic fiction- making involved in representing particular queens but also to the multiple aspects of queenship which made Elizabeth exceptional as a woman ...
Página 10
... representation . As a woman denied full subjectivity but as a sovereign its source for others , Elizabeth was often the subject matter of artwork by her political subjects . By attending to the verbal and conceptual complications of ...
... representation . As a woman denied full subjectivity but as a sovereign its source for others , Elizabeth was often the subject matter of artwork by her political subjects . By attending to the verbal and conceptual complications of ...
Índice
Elizabethan Contexts | 33 |
Elizabeths Watchful Eye and George Peeks Court Drama Female Power and the Lyric of Praise | 85 |
Unhappy Dido Marlowes Lyric Strains | 120 |
Shakespeares Laboring Lovers Lyric and Its Discontents | 167 |
Legacy | 214 |
251 | |
267 | |
Palavras e frases frequentes
Aeneas Aeneas's aesthetic aristocratic Arraignment of Paris artistic audience authority beauty Berowne Berowne's characters Christopher Marlowe Colin comic complex context courtiers courtly love courtly lyricism create critical cultural desire Diana Dido Dido's discourse earthly echo Elizabeth Elizabethan Elizabethan lyrical emphasizes English erotic female power female sovereignty feminine fiction figure Gascoigne Gascoigne's gender George Gascoigne George Peele goddess ideal Kenilworth ladies language literary lords love lyrics Love's Labour's Lost lovers lyric poetry lyrical drama lyricist male Marlowe Marlowe's lyric marriage masculine Midsummer Night's Dream moral narrative Neoplatonic obviously Oenone onstage pageant passion Peele Peele's performance perspective Petrarchan Petrarchan sonnets Petrarchism play's playwright poem poet poetic political praise queen representation rhetoric role romantic Romeo and Juliet Rosaline satiric scene sexual Shakespeare's Sidney Sidney's social song sonnet sovereign speaker speech Spenser stage style Tamburlaine temporal tensions theatrical thou tion tradition tropes verse vision voice woman women words
Passagens conhecidas
Página 5 - But, soft! what light through yonder window breaks! It is the east, and Juliet is the sun ! — Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she...
Página 21 - O western wind, when wilt thou blow, That the small rain down can rain? Christ, that my love were in my arms, And I in my bed again!
Página 1 - Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this ; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers
Referências a este livro
Sonnet Sequences and Social Distinction in Renaissance England Christopher Warley Pré-visualização limitada - 2005 |
Dwelling in Possibility: Women Poets and Critics on Poetry Yopie Prins,Maeera Shreiber Pré-visualização limitada - 1997 |