Passion Made Public: Elizabethan Lyric, Gender, and PerformanceUniversity of Illinois Press, 1995 - 279 páginas |
No interior do livro
Resultados 1-5 de 72
Página 5
... voice signals quite a different attitude from the escapism of traditional courtly love narratives , which usually in- volved illicit or unrealized desire . Unlike the invisible Rosaline , Juliet is both seen and heard , and her active ...
... voice signals quite a different attitude from the escapism of traditional courtly love narratives , which usually in- volved illicit or unrealized desire . Unlike the invisible Rosaline , Juliet is both seen and heard , and her active ...
Página 8
... voice and agency . Thus when we look at court pageants and particular plays by Peele , Mar- lowe , and Shakespeare , the potential impact of the queen as audience de- mands attention alongside the characterization , both laudatory and ...
... voice and agency . Thus when we look at court pageants and particular plays by Peele , Mar- lowe , and Shakespeare , the potential impact of the queen as audience de- mands attention alongside the characterization , both laudatory and ...
Página 12
... voice " only when he tries to return from the court to a male patron , Lord Grey ( 48 ) . The syntax makes it unclear whether Gascoigne alone or McCoy as well assumes that servitude in the employ of a man is less degrading . This ...
... voice " only when he tries to return from the court to a male patron , Lord Grey ( 48 ) . The syntax makes it unclear whether Gascoigne alone or McCoy as well assumes that servitude in the employ of a man is less degrading . This ...
Página 20
... voices and acts of masculine aggres- sion as merely the reaction caused by Petrarchan idealization is too simple and often unsupported by narrative or dramatic context ; it resembles anti- feminist arguments blaming the women's movement ...
... voices and acts of masculine aggres- sion as merely the reaction caused by Petrarchan idealization is too simple and often unsupported by narrative or dramatic context ; it resembles anti- feminist arguments blaming the women's movement ...
Página 22
... and especially in its silences " ( " Lyric " 153 ) . By allowing Eliza- bethan lyric poetry similar complexity in its negotiations between a single " voice " and the social world informing it , 22 Passion Made Public.
... and especially in its silences " ( " Lyric " 153 ) . By allowing Eliza- bethan lyric poetry similar complexity in its negotiations between a single " voice " and the social world informing it , 22 Passion Made Public.
Índice
Elizabethan Contexts | 33 |
Elizabeths Watchful Eye and George Peeks Court Drama Female Power and the Lyric of Praise | 85 |
Unhappy Dido Marlowes Lyric Strains | 120 |
Shakespeares Laboring Lovers Lyric and Its Discontents | 167 |
Legacy | 214 |
251 | |
267 | |
Palavras e frases frequentes
Aeneas Aeneas's aesthetic aristocratic Arraignment of Paris artistic audience authority beauty Berowne Berowne's characters Christopher Marlowe Colin comic complex context courtiers courtly love courtly lyricism create critical cultural desire Diana Dido Dido's discourse earthly echo Elizabeth Elizabethan Elizabethan lyrical emphasizes English erotic female power female sovereignty feminine fiction figure Gascoigne Gascoigne's gender George Gascoigne George Peele goddess ideal Kenilworth ladies language literary lords love lyrics Love's Labour's Lost lovers lyric poetry lyrical drama lyricist male Marlowe Marlowe's lyric marriage masculine Midsummer Night's Dream moral narrative Neoplatonic obviously Oenone onstage pageant passion Peele Peele's performance perspective Petrarchan Petrarchan sonnets Petrarchism play's playwright poem poet poetic political praise queen representation rhetoric role romantic Romeo and Juliet Rosaline satiric scene sexual Shakespeare's Sidney Sidney's social song sonnet sovereign speaker speech Spenser stage style Tamburlaine temporal tensions theatrical thou tion tradition tropes verse vision voice woman women words
Passagens conhecidas
Página 5 - But, soft! what light through yonder window breaks! It is the east, and Juliet is the sun ! — Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she...
Página 21 - O western wind, when wilt thou blow, That the small rain down can rain? Christ, that my love were in my arms, And I in my bed again!
Página 1 - Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this ; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers
Referências a este livro
Sonnet Sequences and Social Distinction in Renaissance England Christopher Warley Pré-visualização limitada - 2005 |
Dwelling in Possibility: Women Poets and Critics on Poetry Yopie Prins,Maeera Shreiber Pré-visualização limitada - 1997 |