More Power to YouApplause, 2002 - 185 páginas More Power to You is acting guru Robert Cohen's follow-up act to his now legendary Acting Power. Now, More Power to You brings together Cohen's most important writing on performance, plays and productions. Among the diverse subjects the reader will learn about are, that Shakespeare's actors cried real tears (and had their methods on how to make the tears flow); that Hamlet was sixteen; what that secret is that British actors have for running off with all the American stage awards, and why kidnapped heiress Patty Hearst robbed that bank (and what that has to do with a book on theatre!). |
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Página 34
... answer ( even if one never comes ) , the inflection makes the question interactional . It is a sort of hook that ... answers , however . Some apparent questions are in fact implicit criticisms - normally denoted by a falling inflection ...
... answer ( even if one never comes ) , the inflection makes the question interactional . It is a sort of hook that ... answers , however . Some apparent questions are in fact implicit criticisms - normally denoted by a falling inflection ...
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... Answers To Questions I , conceived and created by Marilyn Mooney and myself , and performed on the stage in the ... answer personal questions posed by Mooney and have their responses tape recorded : The questions were as simple and ...
... Answers To Questions I , conceived and created by Marilyn Mooney and myself , and performed on the stage in the ... answer personal questions posed by Mooney and have their responses tape recorded : The questions were as simple and ...
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... answering as the drama has transcended the question / answer , statement / rebuttal format ; he is now engaged in a complex and multidimensional human interaction , most of which is seen through a spoken dialogue whose syntax derives in ...
... answering as the drama has transcended the question / answer , statement / rebuttal format ; he is now engaged in a complex and multidimensional human interaction , most of which is seen through a spoken dialogue whose syntax derives in ...
Índice
Introduction | 2 |
CHAPTER | 11 |
Putting a Tree in a | 65 |
Direitos de autor | |
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Palavras e frases frequentes
acting action actor affliction American answer Beckett become Bourgeois Gentleman character character's Claudius CLOWN cognitive dissonance conversation course create Creon dialogue doctor documentary drama dramatic dramaturgical edition emotional English essay Estragon eyes feelings Folio followspot French Ghost Glengarry Glen Ross golden opinions Hamlet hate human Ibid identity indicates inflections Jerzy King King Lear Laertes Lafeu Lear literary Macbeth medieval Miss Hearst modern Molière momentum Oedipus Ophelia original Othello passion performance perhaps person play play's Player playwright Polonius Pozzo Priam problem production punctuation Pyramus Pyrrhus Quarto question rehearsal Richard Burbage role says scene sentence sexton Shakespeare Simone Weil simply sixteen soliloquy Sophocles speak speech spelling stage Stanislavsky structure suggested sword syntax tears theatre theatrical theory therapist thing thou tion Tiresias translation tree upward inflection Vladimir voice Waiting for Godot weep Weil's Wheel theory words Yorick's York