More Power to YouApplause, 2002 - 185 páginas More Power to You is acting guru Robert Cohen's follow-up act to his now legendary Acting Power. Now, More Power to You brings together Cohen's most important writing on performance, plays and productions. Among the diverse subjects the reader will learn about are, that Shakespeare's actors cried real tears (and had their methods on how to make the tears flow); that Hamlet was sixteen; what that secret is that British actors have for running off with all the American stage awards, and why kidnapped heiress Patty Hearst robbed that bank (and what that has to do with a book on theatre!). |
No interior do livro
Resultados 1-3 de 29
Página 32
... give the floor to an interlocutor . " 1 And as to its ubiquity , Levelt concludes that the " relation between pitch range and intended attentional effect might well be universal in the world's languages . " 2 Inflections thus serve many ...
... give the floor to an interlocutor . " 1 And as to its ubiquity , Levelt concludes that the " relation between pitch range and intended attentional effect might well be universal in the world's languages . " 2 Inflections thus serve many ...
Página 135
... give the banquet toast : " My royal lord , You do not give the cheer ” ( III.iv.32-33 ) . Never has drinking been less cheery than here . Drinking gives way to insanity midway through the play ; a mental derangement caused by ...
... give the banquet toast : " My royal lord , You do not give the cheer ” ( III.iv.32-33 ) . Never has drinking been less cheery than here . Drinking gives way to insanity midway through the play ; a mental derangement caused by ...
Página 159
... give over all selfish interests , all pride , and all identity . He must even give up the " right " of knowledge and questioning : To empty ourselves of our false divinity , to give up being the center of the world in imagination ... To ...
... give over all selfish interests , all pride , and all identity . He must even give up the " right " of knowledge and questioning : To empty ourselves of our false divinity , to give up being the center of the world in imagination ... To ...
Índice
Introduction | 2 |
CHAPTER | 11 |
Putting a Tree in a | 65 |
Direitos de autor | |
3 outras secções não apresentadas
Outras edições - Ver tudo
Palavras e frases frequentes
acting action actor affliction American answer Beckett become Bourgeois Gentleman character character's Claudius CLOWN cognitive dissonance conversation course create Creon dialogue doctor documentary drama dramatic dramaturgical edition emotional English essay Estragon eyes feelings Folio followspot French Ghost Glengarry Glen Ross golden opinions Hamlet hate human Ibid identity indicates inflections Jerzy King King Lear Laertes Lafeu Lear literary Macbeth medieval Miss Hearst modern Molière momentum Oedipus Ophelia original Othello passion performance perhaps person play play's Player playwright Polonius Pozzo Priam problem production punctuation Pyramus Pyrrhus Quarto question rehearsal Richard Burbage role says scene sentence sexton Shakespeare Simone Weil simply sixteen soliloquy Sophocles speak speech spelling stage Stanislavsky structure suggested sword syntax tears theatre theatrical theory therapist thing thou tion Tiresias translation tree upward inflection Vladimir voice Waiting for Godot weep Weil's Wheel theory words Yorick's York