More Power to YouApplause, 2002 - 185 páginas More Power to You is acting guru Robert Cohen's follow-up act to his now legendary Acting Power. Now, More Power to You brings together Cohen's most important writing on performance, plays and productions. Among the diverse subjects the reader will learn about are, that Shakespeare's actors cried real tears (and had their methods on how to make the tears flow); that Hamlet was sixteen; what that secret is that British actors have for running off with all the American stage awards, and why kidnapped heiress Patty Hearst robbed that bank (and what that has to do with a book on theatre!). |
No interior do livro
Resultados 1-3 de 13
Página 33
... inflections ( denoted here by one or more downslashes [ \ ] following the downwardly inflected syllable ) basically ... inflections create liveliness and ongoing enthusiasm , while downward inflections create decisiveness and closure ...
... inflections ( denoted here by one or more downslashes [ \ ] following the downwardly inflected syllable ) basically ... inflections create liveliness and ongoing enthusiasm , while downward inflections create decisiveness and closure ...
Página 38
... inflections are simply a part of ordinary speaking , why must actors be taught to make them ? Why don't they just do this naturally ? Well , they do , but only if they are fully committed to pursuing their character's goal with the ...
... inflections are simply a part of ordinary speaking , why must actors be taught to make them ? Why don't they just do this naturally ? Well , they do , but only if they are fully committed to pursuing their character's goal with the ...
Página 39
... INFLECTIONS AND ACTOR TRAINING The actor's use of pitch inflections has been discussed — at least in England — for at least two and a half centuries . As early as 1750 , the Englishman John Hill wrote of " monotonous actors " who have ...
... INFLECTIONS AND ACTOR TRAINING The actor's use of pitch inflections has been discussed — at least in England — for at least two and a half centuries . As early as 1750 , the Englishman John Hill wrote of " monotonous actors " who have ...
Índice
Introduction | 2 |
CHAPTER | 11 |
Putting a Tree in a | 65 |
Direitos de autor | |
3 outras secções não apresentadas
Outras edições - Ver tudo
Palavras e frases frequentes
acting action actor affliction American answer Beckett become Bourgeois Gentleman character character's Claudius CLOWN cognitive dissonance conversation course create Creon dialogue doctor documentary drama dramatic dramaturgical edition emotional English essay Estragon eyes feelings Folio followspot French Ghost Glengarry Glen Ross golden opinions Hamlet hate human Ibid identity indicates inflections Jerzy King King Lear Laertes Lafeu Lear literary Macbeth medieval Miss Hearst modern Molière momentum Oedipus Ophelia original Othello passion performance perhaps person play play's Player playwright Polonius Pozzo Priam problem production punctuation Pyramus Pyrrhus Quarto question rehearsal Richard Burbage role says scene sentence sexton Shakespeare Simone Weil simply sixteen soliloquy Sophocles speak speech spelling stage Stanislavsky structure suggested sword syntax tears theatre theatrical theory therapist thing thou tion Tiresias translation tree upward inflection Vladimir voice Waiting for Godot weep Weil's Wheel theory words Yorick's York