Public games) of the Greeks i. 314.
Pyrrhichius ii. 459.

Qualities) primary and fecondary i. 259. A quality cannot be conceived independent of the fubject to which it belongs ii. 293. Different qualities perceived by different fenfes iii. 376.

Quantity) with respect to melody ii. 363. 383. Quantity with respect to English verfe ii. 383.

Quintilian) cenfured iii. 92.

Quintus Curtius) cenfured ii. 167.

Racine) criticifed ii. 216, &c.

Rape of the Lock) characteriz'd ii. 43. admirable verfification ii. 362.

Reading) chief talent of a fine reader ii. 120. Plaintive

paffions require a flow pronunciation ii. 161. Note.

Rules for reading ii. 347. &c. compared with finging ii. 351.

Reason) reasons to justify a favourite opinion are always at hand and much relished i. 186, Refined pleasure i. 137.

Regularity) not effential in grand objects i. 257. required in a small work, not fo much in one that is extenfive i. 299. how far to be studied in architecture iii. 301. 322. 328. how far to be studied in a garden iii. 305. Regular line defined iii. 389. Regular figure defined iii. 389. Regularity proper and figurative iii. 390.

Relations i. 22. 23. have an influence in generating

emotions and paffions i. 76. &c. are the foundation of congruity and propriety ii. 5. in what manner are relations expressed in words ii. 286.

Relative

Relative beauty i. 244.

Remorse) its gratification i. 232. is not mean. ii.34. Repartee ii. 80.

Representation) its perfection lies in hiding itself and producing an impreffion of reality iii. 279. Repulfive) object i. 226. Repulfive emotions ii. 133. Refemblance) and contrast, ch. 8. i. 345. The members

of a sentence fignifying a resemblance betwixt objects ought to resemble each other ii. 270. &c. Resembling causes may produce effects that have no refemblance, and causes that have no resemblance may produce resembling effects ii. 337. &c. Refemblance carried too far in fome gardens iii. 305. Note.

Refentment) explained i. 98. &c. disagreeable in ex

cess i. 134. extended against relations of the offender i. 190. its gratification i. 231. when immoderate is filent ii. 205.

Reft) neither agreeable nor difagreeable i. 309. Revenge) animates but doth not elevate the mind i. 283. has no dignity in it ii. 33.

Reverie) caufe of the pleasure we have in it i. 112.

Rhyme) for what fubjects it is proper ii. 447. &c. Melody of rhyme ii. 449.

Rhythmus) defined ii. 355.

Riches) love of, corrupts the tafte iii. 370.

Riddle iii. 310.

Ridicule) a grofs pleasure i. 138. is losing ground in England i. 138. Emotion of ridicule i. 341. not concordant with grandeur i. 377. Ridicule ii. 16. 40. &c. whether it be a test of truth ii. 55. Ridiculous) distinguished from risible i. 341,

Rifible

Rifible objects, ch. 7. i. 337.

Rifible diftinguished

from ridiculous i. 341.

Rubens) cenfured iii. 130.

Ruin) ought not to be feen from a flower-parterre iii.

303. in what form it ought to be iii. 313.

Salluft) cenfured for want of connection i. 37.

Sapphic verfe) has a very agreeable modulation ii.
·358.

Scorn ii. 16.

Sculpture) imitates nature ii. 234. what emotions
can be raised by it iii. 296.

Secchia rapita) characterized ii. 41.
Secondary qualities of matter i. 259.

Seeing) in seeing we feel no impreffion iii. 380. Ob-
.jects of fight are all of them complex iii. 400.
Self-deceit i. 185. ii. 190.

Selfish paffions i. 59. are pleasant i. 131. lefs refined
than the focial i. 137. inferior in dignity to the fo-
cial ii. 37.

Selfishness) promoted by luxury iii. 370. and also by
love of riches iii. 370.

Self-love) its prevalence accounted for i. 63. in excess
difagreeable i. 134. not inconsistent with benevo
lence i. 228.

Semipause) in an hexameter line ii. 369. what femi-

pauses are found in an English heroic line ii. 390.
Senfation) defined iii. 378.
Senfe) of order i. 28. &c. contributes to generate e-
motions i. 81. and paffions i. 89. Sense of right
and wrong i. 49. of the veracity of our fenfes i.
105. Senfe of congruity or propriety ii. 6. of the
dignity of human nature ii. 29. iii. 361. Sense by

which

which we difcover a paffion from its external figns
ii. 136.
Senfe of a common nature in every fpe-
cies of beings iii. 356. Senfe internal and external
iii. 375. In touching, tafting, and fmelling, we feel
the impression at the organ of sense, not in seeing
and hearing iii. 380.1

Sentence) it detracts from neatnefs to vary the scene
in the fame fentence ii. 278. A fentence fo arran-
ged as to express the fenfe clearly, seems always
more musical than where the fenfe is left in any
degree doubtful ii. 307.

Sentiment) elevated, low i. 276. Sentiments ch. 16.
ii. 149. Sentiments expreffing the fwelling of paf-
fion ii. 164. expreffing the different stages of a paf-
fion ii. 165. dictated by co-exiftent paffions ii.
169. Sentiments of ftrong paffions are hid or dif
fembled ii. 171. Sentiments above the tone of the
paffion ii. 175. below the tone of the passion ii. 176.
Sentiments too gay for a ferious paffion ii. 178.
too artificial for à ferious paffion ii. 179. fanciful
or finical ii. 182. difcordant with character ii. 186.
misplaced ii. 189. Immoral fentiments expreffed
without disguise ii. 189. unnatural ii. 196. Senti-
ment defined iii. 396.

Series) from fmall to great agreeable i. 272. Afcend

ing feriesi. 274. Defcending feries i. 275. The ef
fect of a number of objects placed in an increasing
or decreasing series ii. 249.

Serpentine river) its beauty i. 311. iii. 316.
Sertorius) of Corneille cenfured ii. 163.

Shaft) of a column iii. 346.

Shakespear) criticifed ii. 212. deals little in inverfion

ii. 439. excells in drawing characters iii. 182. his.
style in what respect excellent iii. 198. his dialogue
excellent iii. 257. deals not in barren scenes iii.
267.

Shame) is not mean ii. 34.

Similar emotions i. 153. their effects when co-exist-
ent i. 155. iii. 336. Similar paffions i. 171. Ef-
fects of co-exiftent fimilar paffions i. 171.
Simple perception iii. 383.

Simplicity) beauty of i. 247. 254. abandoned in the
fine arts i. 255. a great beauty in tragedy iii. 252.
Note, ought to be the governing taste in garden-
ing and architecture iii. 300.

Singing) diftinguished from pronouncing or reading ii.

348. Singing and pronouncing compared ïi. 351.
Situation) different fituations fuited to different build-
ings iii. 339.

Smelling) in smelling we feel an impreffion upon the
organ of fenfe iii. 380..

Smoke) the pleasure of ascending smoke accounted for
i. 33. 313.

Social paffions i. 59. more refined than the selfish i.
137. of greater dignity ii. 37.

Society) advantages of i. 237. 238. 240.

Soliloquy) has a foundation in nature ii. 123. Solilo⚫
quies ii. 218. &c.

Sorrow) cause of it i. 65.

Sounds) concordant i. 151. difcordant i. 152. produce
emotions that refemble them i. 218. articulate
how far agreeable to the ear ii. 240. A smooth
found fooths the mind, and a rough found animates

ii. 245.
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