Time and the Artist in Shakespeare's English HistoriesUniversity of Delaware Press, 1983 - 278 páginas This book is a critical inquiry into Shakespeare's English history plays of the 1590s which poses radical questions about the relationship between dramatic making and historic knowing. What happens, the author asks, when a powerful imagination that transforms everything it touches into present action grapples with the stuff of history? What becomes of the history, and what happens to the drama? What are the history plays? The author seeks to answer these and other fundamental questions. |
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Página 70
... Edward's more con- ventional attitudes and expressions in Part 3. But not until the wartime show of unity ( the brothers as " three glorious suns " ) reaches its culmination in Edward's assumption of the crown , does Richard stir into ...
... Edward's more con- ventional attitudes and expressions in Part 3. But not until the wartime show of unity ( the brothers as " three glorious suns " ) reaches its culmination in Edward's assumption of the crown , does Richard stir into ...
Página 75
... Edward fore- stalls Richard's sword . Edward is conventional . Told a moment later that Richard has gone " to make a bloody supper in the Tower " ( to eat up Henry ) , Edward nods , " He's sudden if a thing comes in his head " ( 86 ) ...
... Edward fore- stalls Richard's sword . Edward is conventional . Told a moment later that Richard has gone " to make a bloody supper in the Tower " ( to eat up Henry ) , Edward nods , " He's sudden if a thing comes in his head " ( 86 ) ...
Página 88
... Edward he is dead , that killed my Edward ; Thy other Edward dead , to quit my Edward . ... ( 4. 4. 63-64 ) " Here in these confines slily have I lurked , " she intones , " witness " to the " dire induction " of events inexorably coming ...
... Edward he is dead , that killed my Edward ; Thy other Edward dead , to quit my Edward . ... ( 4. 4. 63-64 ) " Here in these confines slily have I lurked , " she intones , " witness " to the " dire induction " of events inexorably coming ...
Índice
Introduction | 11 |
The Artist as Adventurer | 21 |
Undoing all as all had never | 42 |
Direitos de autor | |
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Palavras e frases frequentes
action actor Agincourt Angiers antic audience Bad Quartos Bastard becomes blood Boarshead Bolingbroke ceremony character Chorus comedy consciousness conventional course crown death dramatic dramatist dream E. M. W. Tillyard Edward energy English Falstaff father feel fiction fictive figure force future Gloucester Gloucester's Hal's Harfleur hath Henry IV Henry VI Henry VI plays Henry's history plays Hotspur Hubert imagine John's kind King John king of shadows king's language Love's Labor's Lost machiavellian Margaret material means Metadrama Michael Goldman mock mode Mortimer motives murder myth natural never parody passion past performance play's playwright postures present Prince reality response rhetorical rhythms Richard Richard III ritual Robert Ornstein role scene seems sense sequence Shake Shakespeare shape soldiers soliloquy speak speech stage strong possession structure style Talbot theater theatrical thou tion true University Press verbal voice words York York's
Referências a este livro
Shakespeare's English and Roman History Plays: A Marxist Approach Paul N. Siegel Pré-visualização limitada - 1986 |