Time and the Artist in Shakespeare's English HistoriesUniversity of Delaware Press, 1983 - 278 páginas This book is a critical inquiry into Shakespeare's English history plays of the 1590s which poses radical questions about the relationship between dramatic making and historic knowing. What happens, the author asks, when a powerful imagination that transforms everything it touches into present action grapples with the stuff of history? What becomes of the history, and what happens to the drama? What are the history plays? The author seeks to answer these and other fundamental questions. |
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Página 81
... John's way is his captured nephew , the boy Arthur . " I'll keep him so , " says Hubert , " That he shall not offend your majesty . " KING JOHN Death . HUBERT My lord ? KING JOHN A grave . HUBERT He shall not live . KING JOHN Enough ...
... John's way is his captured nephew , the boy Arthur . " I'll keep him so , " says Hubert , " That he shall not offend your majesty . " KING JOHN Death . HUBERT My lord ? KING JOHN A grave . HUBERT He shall not live . KING JOHN Enough ...
Página 104
John W. Blanpied. expresses a lust , but it does not express or distinguish the kings themselves . Take John's appeal to the Citizen of Angiers , where the city is cast as a maiden threatened by the savage French , and John as her ...
John W. Blanpied. expresses a lust , but it does not express or distinguish the kings themselves . Take John's appeal to the Citizen of Angiers , where the city is cast as a maiden threatened by the savage French , and John as her ...
Página 112
... John's reign [ is ] crammed into one scene and made to appear simultaneous , for the dramatic advantage of heaping up John's troubles and omens of misfortune . " Everything here happens in frantic excess . John is crowned for a second ...
... John's reign [ is ] crammed into one scene and made to appear simultaneous , for the dramatic advantage of heaping up John's troubles and omens of misfortune . " Everything here happens in frantic excess . John is crowned for a second ...
Índice
Introduction | 11 |
The Artist as Adventurer | 21 |
Undoing all as all had never | 42 |
Direitos de autor | |
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Palavras e frases frequentes
action actor Agincourt Angiers antic audience Bad Quartos Bastard becomes blood Boarshead Bolingbroke ceremony character Chorus comedy consciousness conventional course crown death dramatic dramatist dream E. M. W. Tillyard Edward energy English Falstaff father feel fiction fictive figure force future Gloucester Gloucester's Hal's Harfleur hath Henry IV Henry VI Henry VI plays Henry's history plays Hotspur Hubert imagine John's kind King John king of shadows king's language Love's Labor's Lost machiavellian Margaret material means Metadrama Michael Goldman mock mode Mortimer motives murder myth natural never parody passion past performance play's playwright postures present Prince reality response rhetorical rhythms Richard Richard III ritual Robert Ornstein role scene seems sense sequence Shake Shakespeare shape soldiers soliloquy speak speech stage strong possession structure style Talbot theater theatrical thou tion true University Press verbal voice words York York's
Referências a este livro
Shakespeare's English and Roman History Plays: A Marxist Approach Paul N. Siegel Pré-visualização limitada - 1986 |