Time and the Artist in Shakespeare's English HistoriesUniversity of Delaware Press, 1983 - 278 páginas This book is a critical inquiry into Shakespeare's English history plays of the 1590s which poses radical questions about the relationship between dramatic making and historic knowing. What happens, the author asks, when a powerful imagination that transforms everything it touches into present action grapples with the stuff of history? What becomes of the history, and what happens to the drama? What are the history plays? The author seeks to answer these and other fundamental questions. |
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Página 31
... past . The broad morality - type characters , the relentless declamatory style , the discrete unshaded scenes , the minimal narrative link- age , all convey a stiff nonnaturalistic , nonrepresentational idea : a monumental past , a ...
... past . The broad morality - type characters , the relentless declamatory style , the discrete unshaded scenes , the minimal narrative link- age , all convey a stiff nonnaturalistic , nonrepresentational idea : a monumental past , a ...
Página 34
... past . The " play " has turned to " history " in the very process of utterance . But if the Temple Garden scene leads to the general public future - out of the play , into the shared public past of its audi- ence - it also leads deeper ...
... past . The " play " has turned to " history " in the very process of utterance . But if the Temple Garden scene leads to the general public future - out of the play , into the shared public past of its audi- ence - it also leads deeper ...
Página 252
... past that has been his deeper subject all along . " In the beginning , " D. H. Lawrence begins a cosmogony myth ... past , has filled it with his consciousness , his unstinted and incomparable imagination . Like Oedipus , he has ...
... past that has been his deeper subject all along . " In the beginning , " D. H. Lawrence begins a cosmogony myth ... past , has filled it with his consciousness , his unstinted and incomparable imagination . Like Oedipus , he has ...
Índice
Introduction | 11 |
The Artist as Adventurer | 21 |
Undoing all as all had never | 42 |
Direitos de autor | |
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Palavras e frases frequentes
action actor Agincourt Angiers antic audience Bad Quartos Bastard becomes blood Boarshead Bolingbroke ceremony character Chorus comedy consciousness conventional course crown death dramatic dramatist dream E. M. W. Tillyard Edward energy English Falstaff father feel fiction fictive figure force future Gloucester Gloucester's Hal's Harfleur hath Henry IV Henry VI Henry VI plays Henry's history plays Hotspur Hubert imagine John's kind King John king of shadows king's language Love's Labor's Lost machiavellian Margaret material means Metadrama Michael Goldman mock mode Mortimer motives murder myth natural never parody passion past performance play's playwright postures present Prince reality response rhetorical rhythms Richard Richard III ritual Robert Ornstein role scene seems sense sequence Shake Shakespeare shape soldiers soliloquy speak speech stage strong possession structure style Talbot theater theatrical thou tion true University Press verbal voice words York York's
Referências a este livro
Shakespeare's English and Roman History Plays: A Marxist Approach Paul N. Siegel Pré-visualização limitada - 1986 |