Comedy: An Introduction to Comedy in Literature, Drama, and CinemaOxford University Press, 1990 - 197 páginas From Plautus, Cervantes, and Dickens to Evelyn Waugh, Joseph Heller, and Tom Stoppard, from A Midsummer Night's Dream to Arsenic and Old Lace and Woody Allen, this concise and readable book provides a thorough introduction to comic criticism. Nelson shows that there are significant recurring patterns of comedy both in the classics and in more popular and commercial works. He discusses such themes as the link between comedy and carnival, the apparent obsession of modern writers with linguistic comedy, and the dilemma of feminists faced with traditional comedy that is largely sexist in nature. |
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Página 107
... seems overdone ; certainly it is , as we have suggested , a pretext , not the real point of the play . Nevertheless it is doubtful whether this element in trickster - comedy can ever be abandoned completely . Northrop Frye suggests that ...
... seems overdone ; certainly it is , as we have suggested , a pretext , not the real point of the play . Nevertheless it is doubtful whether this element in trickster - comedy can ever be abandoned completely . Northrop Frye suggests that ...
Página 115
... seems to have been a visual resemblance between the fool's cap and the monk's cowl . However , the function of the fool as preacher was not confined to mockery of religion : at times he seems to be the repository of grace , rather than ...
... seems to have been a visual resemblance between the fool's cap and the monk's cowl . However , the function of the fool as preacher was not confined to mockery of religion : at times he seems to be the repository of grace , rather than ...
Página 117
... seems to serve a widespread cultural need for a bridging of the gap between what is wise and what is foolish , between what is earthy and what is heavenly , between what is dignified and what is ridiculous . In Kalidasa's Sakoontala ...
... seems to serve a widespread cultural need for a bridging of the gap between what is wise and what is foolish , between what is earthy and what is heavenly , between what is dignified and what is ridiculous . In Kalidasa's Sakoontala ...
Índice
Comedy and Related Forms | 19 |
Marriage | 41 |
Procreation | 58 |
Direitos de autor | |
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Comedy: An Introduction to Comedy in Literature, Drama, and Cinema T. G. A. Nelson Visualização de excertos - 1990 |
Palavras e frases frequentes
accept actor admire Aimée Aristophanes Aristotle audience baby beginning Bergson Buffalmacco Calandrino called carnival century chapter child comedy of manners comic character comic novel commedia dell'arte coney-catching critic dead death Don Quixote drama elements enjoy example fantasy farce father feel superior festive fiction figure film fool Freud Giles Goat-Boy Gravity's Rainbow harmony hero Huck human humour husband impulses incongruity Ionesco Jaroslav Hašek jokes Jonson's Joyboy Kenwigs kind King language later laugh live lover malicious marriage marry means Menander metafictional narrator nature never Northrop Frye philosophers Plautus play pleasure plot protagonist psychic release readers reality ridiculous rogue satire scene seems sense sexual Shakespeare's shows Snow White social Soldier Švejk someone spirit Stoppard's story stupid suggest superiority theory Švejk tion tragedy tragic trickster turn Umberto Eco victim villains Volpone wife woman women word writers Yossarian young