Studies in Eighteenth-century LiteratureMiklós Scenczi, László Ferenczi Akadémiai Kiado, 1974 - 386 páginas |
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Página 313
... Shakespeare ex- perience behind and having integrated Shakespearian elements and im- pulses permanently into his own art , Goethe approaches the towering phenomenon , Shakespeare , in a frame of mind that is still admiring but more ...
... Shakespeare ex- perience behind and having integrated Shakespearian elements and im- pulses permanently into his own art , Goethe approaches the towering phenomenon , Shakespeare , in a frame of mind that is still admiring but more ...
Página 316
... Shakespeare's tragedies with their plots and moods re- worked nearly beyond recognition onto the eminently capable French stage ( from Hamlet , 1769 to Othello , 1792 ) , throw light on the ambi- valence surrounding the genius of ...
... Shakespeare's tragedies with their plots and moods re- worked nearly beyond recognition onto the eminently capable French stage ( from Hamlet , 1769 to Othello , 1792 ) , throw light on the ambi- valence surrounding the genius of ...
Página 318
... Shakespeare enthusiast Mercier and Ducis ( who ironically enough succeeded to Voltaire's seat in the French Academy ) form a Pre - Romantic literary faction , centred in Rousseau , an anti - Voltairian circle where Shakespeare was " un ...
... Shakespeare enthusiast Mercier and Ducis ( who ironically enough succeeded to Voltaire's seat in the French Academy ) form a Pre - Romantic literary faction , centred in Rousseau , an anti - Voltairian circle where Shakespeare was " un ...
Índice
Preface | 7 |
Voltaire Les problèmes de la poétique et de lhistoriographie | 55 |
The crisis of English comedy in the early eighteenth century | 83 |
Direitos de autor | |
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Studies in Eighteenth-century Literature Miklós Scenczi,László Ferenczi Visualização de excertos - 1974 |
Palavras e frases frequentes
18th century accueil aesthetic Age of Sensibility anglais Aristotle Augustan autre avait bien Blake c'est Cesarotti classique comedy conception contre criticism critique d'autres d'Ossian d'une dans le dernier deux écrit écrivains également English époque Essay été être exemple fait Foscolo française génie genre Goethe goût grand héros historique hommes Ibid Illuminati imitation italien Jacopo Ortis Johnson jours l'époque l'expression l'histoire l'homme l'humanité langue lettre liberté literature littéraire littérature Louis XIV Madame de Genlis Mémoires Milton Mme de Genlis Montesquieu moral n'est nature Neoclassical Neoclassicism nouvelle œuvres Ossian Paradise Lost Paris Pétrarque peut Pindemonte poem poème poésie poète poetic poétique poetry poets politique Pope premier presque propre qu'elle qu'il qu'une quelques raison Risorgimento Romantic Romanticism romantique Rousseau sentiments Sepolcri Settecento seul seulement Shakespeare strophe style surtout temps tout traductions trouve Ugo Foscolo valeur vers voir Voltaire vrai Wellek XVIIIe siècle