How to Read Shakespeare: A Guide for the General Reader |
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Página 5
The incidents , at least in their main body and succession , had actually taken
place ; the dramatis persone were real men and women . Thus the young poet
was kept to reality and learned to know the passions , the ambitions and the
sorrows ...
The incidents , at least in their main body and succession , had actually taken
place ; the dramatis persone were real men and women . Thus the young poet
was kept to reality and learned to know the passions , the ambitions and the
sorrows ...
Página 8
... as Shakspeare would never have thought of painting in his maturity , when he
had learned that even the hypocrite begins by deceiving himself . A still more
unmistakable mark of juvenility is the gross manner in which woman is
represented .
... as Shakspeare would never have thought of painting in his maturity , when he
had learned that even the hypocrite begins by deceiving himself . A still more
unmistakable mark of juvenility is the gross manner in which woman is
represented .
Página 10
... is also a noble poem , remarkable not only for the fine picture , already alluded
to , of an unselfish , patriotic and highminded woman in the person of Queen
Katharine , but for the spectacle of Cardinal Wolsey in his splendour and his fall .
... is also a noble poem , remarkable not only for the fine picture , already alluded
to , of an unselfish , patriotic and highminded woman in the person of Queen
Katharine , but for the spectacle of Cardinal Wolsey in his splendour and his fall .
Página 13
It is not in abstract forces working behind history that he is interested , but in the
passions of the actors : who were the men and women who made the history ?
and how did the history mould and develop them ? There are four outstanding ...
It is not in abstract forces working behind history that he is interested , but in the
passions of the actors : who were the men and women who made the history ?
and how did the history mould and develop them ? There are four outstanding ...
Página 28
... with what variety of character these Histories are crowded ; but it still remains to
note the chief efforts at character - painting The portraits of women in the
Histories exhibit a singular monotony ; and the leading feature is a remarkable
one .
... with what variety of character these Histories are crowded ; but it still remains to
note the chief efforts at character - painting The portraits of women in the
Histories exhibit a singular monotony ; and the leading feature is a remarkable
one .
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How to Read Shakespeare: A Guide for the General Reader REV James Stalker Pré-visualização indisponível - 2016 |
Palavras e frases frequentes
able action Antony appears become beginning better called character Class close Comedies comes common course daughter death drama dramatist Dream England English especially everything execution expressed eyes fall father feeling figures follow force genius give hand hath hear heart Henry hero hour human interest Italy John Julius Cæsar kind King learned less lines live look lost lover Macbeth means mind move nature never night noble passages passing passion perfect perhaps person play poet present Prince productions prove Queen reader remark says scene seems Shakspeare Shakspeare's side sound speak spirit stands sweet tell things third thou thought town Tragedies true turn whole wife woman women written young youth
Informação bibliográfica
| Título | How to Read Shakespeare: A Guide for the General Reader |
| Autor | James Stalker |
| Edição | 2, reimpressão |
| Editora | Hodder and Stoughton, 1913 |
| Original de | Biblioteca Pública de Lyon |
| Digitalizado | 28 Ago 2013 |
| Número de páginas | 292 páginas |
| Exportar citação | BiBTeX EndNote RefMan |