Shakspeare's Dramatic Art: And His Relation to Calderon and GoetheChapman, 1846 - 554 páginas |
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Página 8
... language also remained the same , being for the most part short rhyming verses of a lyrical complexion . It is easy enough , in a more advanced period , to throw ridicule on these rude essays , but more difficult to recognise their ...
... language also remained the same , being for the most part short rhyming verses of a lyrical complexion . It is easy enough , in a more advanced period , to throw ridicule on these rude essays , but more difficult to recognise their ...
Página 14
... language of life and even so late as the last days of Elizabeth , Churchyard gave the name of Tragedy to some elegies , and Markham to an heroic poem , in rhyming octaves . In a public document , however , of 1574 , Tragedies , Comedies ...
... language of life and even so late as the last days of Elizabeth , Churchyard gave the name of Tragedy to some elegies , and Markham to an heroic poem , in rhyming octaves . In a public document , however , of 1574 , Tragedies , Comedies ...
Página 18
... language and characters are far from bad ; the in- vention gives proof of a lively fancy , while , on the other hand , the action proceeds irregularly and by starts , some of the characters having nothing to do with the plot , and many ...
... language and characters are far from bad ; the in- vention gives proof of a lively fancy , while , on the other hand , the action proceeds irregularly and by starts , some of the characters having nothing to do with the plot , and many ...
Página 19
... language , delineation of character , and invention , it falls far short of the other two . Particularly famous in their day were the two pieces of Richard Edwards , the Queen's music - master , which he composed and published a year ...
... language , delineation of character , and invention , it falls far short of the other two . Particularly famous in their day were the two pieces of Richard Edwards , the Queen's music - master , which he composed and published a year ...
Página 21
... language , and characters , are not without a degree of spirit and force , and are occasionally bold and original . As to " Grimm , the Collier of Croydon , " Schlegel does not enter into details . When , however , he joins it with ...
... language , and characters , are not without a degree of spirit and force , and are occasionally bold and original . As to " Grimm , the Collier of Croydon , " Schlegel does not enter into details . When , however , he joins it with ...
Outras edições - Ver tudo
Shakspeare's Dramatic Art: And His Relation to Calderon and Goethe Hermann Ulrici Visualização integral - 1846 |
Shakspeare's dramatic art: and his relation to Calderon and Goethe ... Hermann Ulrici Visualização integral - 1846 |
Shakspeare's dramatic art: and his relation to Calderon and Goethe, tr. [by ... Hermann Ulrici Visualização integral - 1846 |
Palavras e frases frequentes
Accordingly action allusions already appears artistic beauty Ben Jonson Calderon caprice character Christian circumstances Collier comedy comic view composition consequently criticism Cymbeline death deed divine doubt Drake earthly English evil exhibited existence external fact Falstaff fancy favour feeling fundamental idea Gentlemen of Verona genuine Goethe Goethe's ground-idea Hamlet hand Henry the Sixth honour human humour influence inmost intrigue intrinsic Jonson Julius Cæsar justice King language Lastly latter Lear less Locrine lyrical Macbeth Malone Measure for Measure Merchant of Venice merely merry mind moral nature necessity ness nevertheless noble objective organic Othello outward passion personages piece play poem poet poetical poetry possess present Prince principle profound racter reflection Richard Romeo and Juliet scene Shak Shakspeare Shakspeare's shew sonnets spirit subjective thought Tieck tion Titus Andronicus tragedy tragic true truth unity view of things virtue weakness whole Winter's Tale youthful