Apostles of Silence: The Modern French Mimes

abstract action actor aesthetics appears Artaud artistic attempt audience became becomes believes body called century changes character clown comedy comic Commedia concept continued Copeau corporal create critic dance Deburau demonstration developed direct Dorcy drama early effect elements emotional essential established Etienne Decroux exercises exists expression face feeling followed force French gesture gives goal hand head human Ibid idea illusion improvisation inner interesting Interview Italy Jacques Lecoq Jean Jean-Louis Barrault language later learned Lecoq Marcel Marceau mask meaning modern mime move movement natural neutral notes numbers objects once original pantomime Paris performance physical Pierrot play popular present realistic reality remains represents role says sense silence social sound stage style stylization symbolic technique theater Théâtre theatrical theory things tion tradition York