Shakespeare Plain: The Making and Performing of Shakespeare's PlaysMcGraw-Hill, 1977 - 298 páginas |
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Página 192
... ( Antony and Cleopatra , IV , xv , 18-19 ) The unstressed syllable ly at the end of line 1 prompts the reader or speaker to move swiftly on to the second line . When that unstressed syllable is an extra or redundant syl- lable , making a ...
... ( Antony and Cleopatra , IV , xv , 18-19 ) The unstressed syllable ly at the end of line 1 prompts the reader or speaker to move swiftly on to the second line . When that unstressed syllable is an extra or redundant syl- lable , making a ...
Página 237
... Antony and Cleopatra . Antony , having already lost a world for love , now learns , by a false report , that Cleopatra has killed her- self . In a final spasm of despair , he attempts a Roman suicide , falling on his sword . Ironically ...
... Antony and Cleopatra . Antony , having already lost a world for love , now learns , by a false report , that Cleopatra has killed her- self . In a final spasm of despair , he attempts a Roman suicide , falling on his sword . Ironically ...
Página 287
... Antony , Mark ( Antony and Cleopatra ) , 103 , 162 , 172 , 192 , 237 , 245 , 250 Antony , Mark ( Julius Caesar ) , 5 , 7 , 105 , 147 , 200 , 212 , 232 , 264 Antony and Cleopatra , 192 , 201-202 , 265 , 280 ; char- acters in , 31 ...
... Antony , Mark ( Antony and Cleopatra ) , 103 , 162 , 172 , 192 , 237 , 245 , 250 Antony , Mark ( Julius Caesar ) , 5 , 7 , 105 , 147 , 200 , 212 , 232 , 264 Antony and Cleopatra , 192 , 201-202 , 265 , 280 ; char- acters in , 31 ...
Índice
Prologue | 1 |
Person and Character | 19 |
Setting and World | 39 |
Direitos de autor | |
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Shakespeare Plain: The Making and Performing of Shakespeare's Plays William Gordon Leary Visualização de excertos - 1977 |
Palavras e frases frequentes
achieve action actors Alfred Harbage Antony appear artist blank verse Caesar called chapter Cleopatra colloquial style comedy comic convention critical discovered drama dramatic characters dramatist Elizabethan example Falstaff father Globe Hamlet hear Henry Henry IV Hotspur human illustrate imagery images Julius Caesar kind King Lear language lines lyric Macbeth means medieval Merchant of Venice metaphor Midsummer Night's Dream mind modern moral never once Othello passage patterns pause platform stage play's playhouse playscript playwright plot poet poetry Polonius Portia Prince principal prose qualities readers and playgoers rhetorical style rhythm Richard Richard II rimed verse roles Roman Romeo and Juliet Rosalind scene seems sense Shake Shakespeare Plain Shakespeare's audiences Shakespeare's plays Shylock speak speakers speare speare's speech stage direction story structure suggests syllable theater theme thing thou tion tragedies turn Twelfth Night unity universal witches words writing
Referências a este livro
Art Imitates Business: Commercial and Political Influences in Elizabethan ... James H. Forse Pré-visualização limitada - 1993 |
The Merchant of Venice: Choice, Hazard, and Consequence Joan Ozark Holmer Visualização de excertos - 1995 |