Shakespeare Plain: The Making and Performing of Shakespeare's PlaysMcGraw-Hill, 1977 - 298 páginas |
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Página 35
... Shake- speare introduces a reference to - of all things — a button ! It is unlikely that any other writer would have conceived of such a dangerous device : to ask his actors to engage in a piece of stage business that borders on the ...
... Shake- speare introduces a reference to - of all things — a button ! It is unlikely that any other writer would have conceived of such a dangerous device : to ask his actors to engage in a piece of stage business that borders on the ...
Página 88
... Shake- speare's day from our own , innumerable critics have attemp- ted to illuminate his achievement as a dramatic poet . Each of the elements that make up his ( and every dramatist's ) plays - character , world , plot , theme , and ...
... Shake- speare's day from our own , innumerable critics have attemp- ted to illuminate his achievement as a dramatic poet . Each of the elements that make up his ( and every dramatist's ) plays - character , world , plot , theme , and ...
Página 246
... Shake- speare's - and the small number of boy actors reflects a practical situation that determined in one obvious way the casting possibilities and practices in Shakespeare's plays . Because he had to take into account this disparity ...
... Shake- speare's - and the small number of boy actors reflects a practical situation that determined in one obvious way the casting possibilities and practices in Shakespeare's plays . Because he had to take into account this disparity ...
Índice
Prologue | 1 |
Person and Character | 19 |
Setting and World | 39 |
Direitos de autor | |
9 outras secções não apresentadas
Outras edições - Ver tudo
Shakespeare Plain: The Making and Performing of Shakespeare's Plays William Gordon Leary Visualização de excertos - 1977 |
Palavras e frases frequentes
achieve action actors Alfred Harbage Antony appear artist blank verse Caesar called chapter Cleopatra colloquial style comedy comic convention critical discovered drama dramatic characters dramatist Elizabethan example Falstaff father Globe Hamlet hear Henry Henry IV Hotspur human illustrate imagery images Julius Caesar kind King Lear language lines lyric Macbeth means medieval Merchant of Venice metaphor Midsummer Night's Dream mind modern moral never once Othello passage patterns pause platform stage play's playhouse playscript playwright plot poet poetry Polonius Portia Prince principal prose qualities readers and playgoers rhetorical style rhythm Richard Richard II rimed verse roles Roman Romeo and Juliet Rosalind scene seems sense Shake Shakespeare Plain Shakespeare's audiences Shakespeare's plays Shylock speak speakers speare speare's speech stage direction story structure suggests syllable theater theme thing thou tion tragedies turn Twelfth Night unity universal witches words writing
Referências a este livro
Art Imitates Business: Commercial and Political Influences in Elizabethan ... James H. Forse Pré-visualização limitada - 1993 |
The Merchant of Venice: Choice, Hazard, and Consequence Joan Ozark Holmer Visualização de excertos - 1995 |