Shakespeare Plain: The Making and Performing of Shakespeare's PlaysMcGraw-Hill, 1977 - 298 páginas |
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Página 12
... audience may very well exclaim over this eye - popping , ear - splitting beginning . Then the first witch chants a pair of four - beat riming lines that tells the audience by means of a rhetorical ques- tion what they are already ...
... audience may very well exclaim over this eye - popping , ear - splitting beginning . Then the first witch chants a pair of four - beat riming lines that tells the audience by means of a rhetorical ques- tion what they are already ...
Página 225
... audience was truly representative of the London citizenry — a popular , not a coterie , audience . That fact determined Shakespeare to write plays of universal ap- peal . If he had not done so , we should not be reading them today . And ...
... audience was truly representative of the London citizenry — a popular , not a coterie , audience . That fact determined Shakespeare to write plays of universal ap- peal . If he had not done so , we should not be reading them today . And ...
Página 252
... audience . To return to the popular audience of the public theaters , it was remarkably representative of the London of his day : noblemen and their ladies , merchants and their wives , lawyers and doctors , foreign tourists , visiting ...
... audience . To return to the popular audience of the public theaters , it was remarkably representative of the London of his day : noblemen and their ladies , merchants and their wives , lawyers and doctors , foreign tourists , visiting ...
Índice
Prologue | 1 |
Person and Character | 19 |
Setting and World | 39 |
Direitos de autor | |
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Outras edições - Ver tudo
Shakespeare Plain: The Making and Performing of Shakespeare's Plays William Gordon Leary Visualização de excertos - 1977 |
Palavras e frases frequentes
achieve action actors Alfred Harbage Antony appear artist blank verse Caesar called chapter Cleopatra colloquial style comedy comic convention critical discovered drama dramatic characters dramatist Elizabethan example Falstaff father Globe Hamlet hear Henry Henry IV Hotspur human illustrate imagery images Julius Caesar kind King Lear language lines lyric Macbeth means medieval Merchant of Venice metaphor Midsummer Night's Dream mind modern moral never once Othello passage patterns pause platform stage play's playhouse playscript playwright plot poet poetry Polonius Portia Prince principal prose qualities readers and playgoers rhetorical style rhythm Richard Richard II rimed verse roles Roman Romeo and Juliet Rosalind scene seems sense Shake Shakespeare Plain Shakespeare's audiences Shakespeare's plays Shylock speak speakers speare speare's speech stage direction story structure suggests syllable theater theme thing thou tion tragedies turn Twelfth Night unity universal witches words writing
Referências a este livro
Art Imitates Business: Commercial and Political Influences in Elizabethan ... James H. Forse Pré-visualização limitada - 1993 |
The Merchant of Venice: Choice, Hazard, and Consequence Joan Ozark Holmer Visualização de excertos - 1995 |