Shakespeare Plain: The Making and Performing of Shakespeare's PlaysMcGraw-Hill, 1977 - 298 páginas |
No interior do livro
Resultados 1-3 de 10
Página 1
... feel the large emotions these plays generate . We are just as likely to be right if we suspect that we are missing much . Some of the action puzzles us , some of the characters behave in ways we cannot satisfactorily explain , some of ...
... feel the large emotions these plays generate . We are just as likely to be right if we suspect that we are missing much . Some of the action puzzles us , some of the characters behave in ways we cannot satisfactorily explain , some of ...
Página 136
... feel the consequences but in which the king may not engage ) , and if we have watched this highly intelligent monarch in the making achieve the prag- matic wisdom that permits him to understand that all the important choices in this ...
... feel the consequences but in which the king may not engage ) , and if we have watched this highly intelligent monarch in the making achieve the prag- matic wisdom that permits him to understand that all the important choices in this ...
Página 168
... feel the force of this picture of an old king in a murderous rage stealing upon his oppressors at the head of a troop of cavalry whose horses ' hooves have been muffled in felt . These last three examples illustrate Shakespeare's way of ...
... feel the force of this picture of an old king in a murderous rage stealing upon his oppressors at the head of a troop of cavalry whose horses ' hooves have been muffled in felt . These last three examples illustrate Shakespeare's way of ...
Índice
Prologue | 1 |
Person and Character | 19 |
Setting and World | 39 |
Direitos de autor | |
9 outras secções não apresentadas
Outras edições - Ver tudo
Shakespeare Plain: The Making and Performing of Shakespeare's Plays William Gordon Leary Visualização de excertos - 1977 |
Palavras e frases frequentes
achieve action actors Alfred Harbage Antony appear artist blank verse Caesar called chapter Cleopatra colloquial style comedy comic convention critical discovered drama dramatic characters dramatist Elizabethan example Falstaff father Globe Hamlet hear Henry Henry IV Hotspur human illustrate imagery images Julius Caesar kind King Lear language lines lyric Macbeth means medieval Merchant of Venice metaphor Midsummer Night's Dream mind modern moral never once Othello passage patterns pause platform stage play's playhouse playscript playwright plot poet poetry Polonius Portia Prince principal prose qualities readers and playgoers rhetorical style rhythm Richard Richard II rimed verse roles Roman Romeo and Juliet Rosalind scene seems sense Shake Shakespeare Plain Shakespeare's audiences Shakespeare's plays Shylock speak speakers speare speare's speech stage direction story structure suggests syllable theater theme thing thou tion tragedies turn Twelfth Night unity universal witches words writing
Referências a este livro
Art Imitates Business: Commercial and Political Influences in Elizabethan ... James H. Forse Pré-visualização limitada - 1993 |
The Merchant of Venice: Choice, Hazard, and Consequence Joan Ozark Holmer Visualização de excertos - 1995 |