Shakespeare Plain: The Making and Performing of Shakespeare's PlaysMcGraw-Hill, 1977 - 298 páginas |
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Página 165
... metaphor . It is the one thing that cannot be learned from others : and it is also a sign of original genius , since a good metaphor implies the intuitive perception of the similarity in dissimilars.2 The operative terms here , which I ...
... metaphor . It is the one thing that cannot be learned from others : and it is also a sign of original genius , since a good metaphor implies the intuitive perception of the similarity in dissimilars.2 The operative terms here , which I ...
Página 167
... metaphor undergoes some changes . Two of these changes are worth illustrating . Still using the metaphor of the world as a stage , Shake- speare now accelerates his pace and compresses his figure . Here are three such examples taken ...
... metaphor undergoes some changes . Two of these changes are worth illustrating . Still using the metaphor of the world as a stage , Shake- speare now accelerates his pace and compresses his figure . Here are three such examples taken ...
Página 168
... metaphor and hurls it at us and then goes right on ranting by means of an almost surrealistic chain of imagistic ... metaphor ( including his favorite metaphor of the stage ) swiftly , casually , at times almost parenthetically . Here ...
... metaphor and hurls it at us and then goes right on ranting by means of an almost surrealistic chain of imagistic ... metaphor ( including his favorite metaphor of the stage ) swiftly , casually , at times almost parenthetically . Here ...
Índice
Prologue | 1 |
Person and Character | 19 |
Setting and World | 39 |
Direitos de autor | |
9 outras secções não apresentadas
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Shakespeare Plain: The Making and Performing of Shakespeare's Plays William Gordon Leary Visualização de excertos - 1977 |
Palavras e frases frequentes
achieve action actors Alfred Harbage Antony appear artist blank verse Caesar called chapter Cleopatra colloquial style comedy comic convention critical discovered drama dramatic characters dramatist Elizabethan example Falstaff father Globe Hamlet hear Henry Henry IV Hotspur human illustrate imagery images Julius Caesar kind King Lear language lines lyric Macbeth means medieval Merchant of Venice metaphor Midsummer Night's Dream mind modern moral never once Othello passage patterns pause platform stage play's playhouse playscript playwright plot poet poetry Polonius Portia Prince principal prose qualities readers and playgoers rhetorical style rhythm Richard Richard II rimed verse roles Roman Romeo and Juliet Rosalind scene seems sense Shake Shakespeare Plain Shakespeare's audiences Shakespeare's plays Shylock speak speakers speare speare's speech stage direction story structure suggests syllable theater theme thing thou tion tragedies turn Twelfth Night unity universal witches words writing
Referências a este livro
Art Imitates Business: Commercial and Political Influences in Elizabethan ... James H. Forse Pré-visualização limitada - 1993 |
The Merchant of Venice: Choice, Hazard, and Consequence Joan Ozark Holmer Visualização de excertos - 1995 |