Shakespeare Plain: The Making and Performing of Shakespeare's PlaysMcGraw-Hill, 1977 - 298 páginas |
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Página 4
... stage grouping , every movement is consequential . There can be no waste motion . And everything must work together ... stage of an Elizabethan theater when you hear Romeo exclaim , " What light through yonder window breaks ? / It is the ...
... stage grouping , every movement is consequential . There can be no waste motion . And everything must work together ... stage of an Elizabethan theater when you hear Romeo exclaim , " What light through yonder window breaks ? / It is the ...
Página 221
... stage should be " contrived and fashioned like unto " the Globe , we may assume that the dimensions of the latter's yard , as well as its stage , were similar to those of the Fortune . More important for our un- derstanding than the ...
... stage should be " contrived and fashioned like unto " the Globe , we may assume that the dimensions of the latter's yard , as well as its stage , were similar to those of the Fortune . More important for our un- derstanding than the ...
Página 234
... stage doors at either ex- treme of the rear wall that divided the platform stage from the tiring room . Today , most scholars of the theater refuse to employ the term inner stage , as it was once popularly known , to designate this ...
... stage doors at either ex- treme of the rear wall that divided the platform stage from the tiring room . Today , most scholars of the theater refuse to employ the term inner stage , as it was once popularly known , to designate this ...
Índice
Prologue | 1 |
Person and Character | 19 |
Setting and World | 39 |
Direitos de autor | |
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Shakespeare Plain: The Making and Performing of Shakespeare's Plays William Gordon Leary Visualização de excertos - 1977 |
Palavras e frases frequentes
achieve action actors Alfred Harbage Antony appear artist blank verse Caesar called chapter Cleopatra colloquial style comedy comic convention critical discovered drama dramatic characters dramatist Elizabethan example Falstaff father Globe Hamlet hear Henry Henry IV Hotspur human illustrate imagery images Julius Caesar kind King Lear language lines lyric Macbeth means medieval Merchant of Venice metaphor Midsummer Night's Dream mind modern moral never once Othello passage patterns pause platform stage play's playhouse playscript playwright plot poet poetry Polonius Portia Prince principal prose qualities readers and playgoers rhetorical style rhythm Richard Richard II rimed verse roles Roman Romeo and Juliet Rosalind scene seems sense Shake Shakespeare Plain Shakespeare's audiences Shakespeare's plays Shylock speak speakers speare speare's speech stage direction story structure suggests syllable theater theme thing thou tion tragedies turn Twelfth Night unity universal witches words writing
Referências a este livro
Art Imitates Business: Commercial and Political Influences in Elizabethan ... James H. Forse Pré-visualização limitada - 1993 |
The Merchant of Venice: Choice, Hazard, and Consequence Joan Ozark Holmer Visualização de excertos - 1995 |