Shakespeare Plain: The Making and Performing of Shakespeare's PlaysMcGraw-Hill, 1977 - 298 páginas |
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Página 15
... things indispensable to the success of a play . One merely has to tick off some of these things to admire Shakespeare's craftsmanship here : ( 1 ) He names his most important character . ( 2 ) He establishes an atmosphere - dark and ...
... things indispensable to the success of a play . One merely has to tick off some of these things to admire Shakespeare's craftsmanship here : ( 1 ) He names his most important character . ( 2 ) He establishes an atmosphere - dark and ...
Página 164
... things he is comparing ( the figurative thing ) is not present in the setting . The most obvious such comparison is one that names both the literal thing and its figurative counterpart and then joins them with a verbal equal sign ...
... things he is comparing ( the figurative thing ) is not present in the setting . The most obvious such comparison is one that names both the literal thing and its figurative counterpart and then joins them with a verbal equal sign ...
Página 165
The Making and Performing of Shakespeare's Plays William Gordon Leary. The greatest thing of all by far is to be master of metaphor . It is the one thing that cannot be learned from others : and it is also a sign of original genius ...
The Making and Performing of Shakespeare's Plays William Gordon Leary. The greatest thing of all by far is to be master of metaphor . It is the one thing that cannot be learned from others : and it is also a sign of original genius ...
Índice
Prologue | 1 |
Person and Character | 19 |
Setting and World | 39 |
Direitos de autor | |
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Shakespeare Plain: The Making and Performing of Shakespeare's Plays William Gordon Leary Visualização de excertos - 1977 |
Palavras e frases frequentes
achieve action actors Alfred Harbage Antony appear artist blank verse Caesar called chapter Cleopatra colloquial style comedy comic convention critical discovered drama dramatic characters dramatist Elizabethan example Falstaff father Globe Hamlet hear Henry Henry IV Hotspur human illustrate imagery images Julius Caesar kind King Lear language lines lyric Macbeth means medieval Merchant of Venice metaphor Midsummer Night's Dream mind modern moral never once Othello passage patterns pause platform stage play's playhouse playscript playwright plot poet poetry Polonius Portia Prince principal prose qualities readers and playgoers rhetorical style rhythm Richard Richard II rimed verse roles Roman Romeo and Juliet Rosalind scene seems sense Shake Shakespeare Plain Shakespeare's audiences Shakespeare's plays Shylock speak speakers speare speare's speech stage direction story structure suggests syllable theater theme thing thou tion tragedies turn Twelfth Night unity universal witches words writing
Referências a este livro
Art Imitates Business: Commercial and Political Influences in Elizabethan ... James H. Forse Pré-visualização limitada - 1993 |
The Merchant of Venice: Choice, Hazard, and Consequence Joan Ozark Holmer Visualização de excertos - 1995 |