Shakespeare Plain: The Making and Performing of Shakespeare's PlaysMcGraw-Hill, 1977 - 298 páginas |
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Página 118
... writers have what we may call a vision of the world . This vision is the sum total of the writer's experiences as a human being and an artist , and these experiences are brought into focus by the play of his imagination . His vision ...
... writers have what we may call a vision of the world . This vision is the sum total of the writer's experiences as a human being and an artist , and these experiences are brought into focus by the play of his imagination . His vision ...
Página 143
... writing well , so that he cannot be imitated except by someone who says things both as clearly and as interestingly as he did . But if Shakespeare has no single style , if to him we cannot apply the famous aphorism of Buffon , " The ...
... writing well , so that he cannot be imitated except by someone who says things both as clearly and as interestingly as he did . But if Shakespeare has no single style , if to him we cannot apply the famous aphorism of Buffon , " The ...
Página 209
... writing prose to be spoken in dialogue might be said to invite the writer to hit on the give - and - take , cut - and - dash rhythms and the familiar and even idiosyncratic diction of living speech . But this expla- nation cannot stand ...
... writing prose to be spoken in dialogue might be said to invite the writer to hit on the give - and - take , cut - and - dash rhythms and the familiar and even idiosyncratic diction of living speech . But this expla- nation cannot stand ...
Índice
Prologue | 1 |
Person and Character | 19 |
Setting and World | 39 |
Direitos de autor | |
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Shakespeare Plain: The Making and Performing of Shakespeare's Plays William Gordon Leary Visualização de excertos - 1977 |
Palavras e frases frequentes
achieve action actors Alfred Harbage Antony appear artist blank verse Caesar called chapter Cleopatra colloquial style comedy comic convention critical discovered drama dramatic characters dramatist Elizabethan example Falstaff father Globe Hamlet hear Henry Henry IV Hotspur human illustrate imagery images Julius Caesar kind King Lear language lines lyric Macbeth means medieval Merchant of Venice metaphor Midsummer Night's Dream mind modern moral never once Othello passage patterns pause platform stage play's playhouse playscript playwright plot poet poetry Polonius Portia Prince principal prose qualities readers and playgoers rhetorical style rhythm Richard Richard II rimed verse roles Roman Romeo and Juliet Rosalind scene seems sense Shake Shakespeare Plain Shakespeare's audiences Shakespeare's plays Shylock speak speakers speare speare's speech stage direction story structure suggests syllable theater theme thing thou tion tragedies turn Twelfth Night unity universal witches words writing
Referências a este livro
Art Imitates Business: Commercial and Political Influences in Elizabethan ... James H. Forse Pré-visualização limitada - 1993 |
The Merchant of Venice: Choice, Hazard, and Consequence Joan Ozark Holmer Visualização de excertos - 1995 |