Shakespeare and the History of SoliloquiesFairleigh Dickinson University Press, 2003 - 470 páginas Provides the first systematic and comprehensive account of the conventions governing soliloquies in Western drama from ancient times to the twentieth century. Over the course of theatrical history, there have been several kinds of soliloquies. Shakespeare's soliloquies are not only the most interesting and the most famous, but also the most misunderstood, and several chapters examine them in detail. The present study is based on a painstaking analysis of the actual practices of dramatists from each age of theatrical history. This investigation has uncovered evidence that refutes long-standing commonplaces about soliloquies in general, about Shakespeare's soliloquies in particular, and especially about the to be, or not to be episode. 'Shakespeare and the history of Soliloquies' casts new lights on historical changes in the artistic representation of human beings and, because representations cannot be entirely disentangled from perception, on historical changes in the ways human beings have perceived theselves. |
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Página 161
... says in a prayer or self - addressed speech because something Claudius says may either shake Hamlet's conviction in Claudius's guilt or arouse Hamlet's pity for Claudius . Further- more , even if Claudius says in a soliloquy that he ...
... says in a prayer or self - addressed speech because something Claudius says may either shake Hamlet's conviction in Claudius's guilt or arouse Hamlet's pity for Claudius . Further- more , even if Claudius says in a soliloquy that he ...
Página 188
... says to Roderigo cannot be taken at face value . We are encouraged to have contempt for Roderigo : he knows that Iago deceives others but fatuously believes what Iago says to him when no one else is around . Iago also speaks of his ...
... says to Roderigo cannot be taken at face value . We are encouraged to have contempt for Roderigo : he knows that Iago deceives others but fatuously believes what Iago says to him when no one else is around . Iago also speaks of his ...
Página 204
... says very wisely to me , . . . " Launcelot , bouge not . " " Bouge , " says the fiend . " Bouge not , " says my conscience . " Conscience , " say I , " you counsel well . " ( 2-22 ) Audience address was common in morality plays , so it ...
... says very wisely to me , . . . " Launcelot , bouge not . " " Bouge , " says the fiend . " Bouge not , " says my conscience . " Conscience , " say I , " you counsel well . " ( 2-22 ) Audience address was common in morality plays , so it ...
Índice
Acknowledgments | 9 |
Representation of Speech | 35 |
From Antiquity to the Middle of the Sixteenth | 62 |
Direitos de autor | |
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acters action actor addressed speech addressed to playgoers addresses playgoers apostrophe audience address Betterton boy actor chapter char character's characters onstage Claudius clearly conventions governing soliloquies Davenant Davenant's direct access dominant convention dramatic context dramatists earlier eavesdropping eavesdropping episodes enemy evidence explicit explicitly expresses father feigned soliloquy genuine soliloquy gives voice guard his speech guarded in asides Hamlet heard hearing human Iago imagine incongruities innermost thoughts interior monologue kinds of soliloquies King King Lear late seventeenth century later liloquies Love's Labor's Lost Menaechmus mind offstage Ophelia oquies Othello outward behavior overheard soliloquies passage performed playgoers Polonius post-Renaissance presence pretends quies Renaissance Renaissance drama Renaissance playgoers representation Richard Romeo says scene self-addressed speech Shake Shakespeare's plays Shakespeare's soliloquies Shakespeare's theater situation solilo soliloquies and asides soliloquies in Shakespeare's soliloquies represented speech soliloquy guarded speaker speare's theatrical Thomas Betterton thou tion Troilus and Cressida unspoken thoughts words spoken
Referências a este livro
Pseudonymous Shakespeare: Rioting Language in the Sidney Circle Penny McCarthy Pré-visualização limitada - 2006 |
Allegory and the Work of Melancholy: The Late Medieval and Shakespeare Jeremy Tambling Pré-visualização indisponível - 2004 |