Shakespeare and the History of SoliloquiesFairleigh Dickinson University Press, 2003 - 470 páginas Provides the first systematic and comprehensive account of the conventions governing soliloquies in Western drama from ancient times to the twentieth century. Over the course of theatrical history, there have been several kinds of soliloquies. Shakespeare's soliloquies are not only the most interesting and the most famous, but also the most misunderstood, and several chapters examine them in detail. The present study is based on a painstaking analysis of the actual practices of dramatists from each age of theatrical history. This investigation has uncovered evidence that refutes long-standing commonplaces about soliloquies in general, about Shakespeare's soliloquies in particular, and especially about the to be, or not to be episode. 'Shakespeare and the history of Soliloquies' casts new lights on historical changes in the artistic representation of human beings and, because representations cannot be entirely disentangled from perception, on historical changes in the ways human beings have perceived theselves. |
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Página 84
... soliloquies are among the greatest passages of dramatic poetry and prose . In drama of this period , as in earlier drama , words spoken by an actor represented words spoken by the char- acter impersonated by the actor . I have not ...
... soliloquies are among the greatest passages of dramatic poetry and prose . In drama of this period , as in earlier drama , words spoken by an actor represented words spoken by the char- acter impersonated by the actor . I have not ...
Página 174
... soliloquies represent speech is pervasive in his plays . In the context of such pervasive evidence , the con- vention that soliloquies ... represented unspoken thought , experienced playgoers would have assumed that soliloquies as a matter of ...
... soliloquies represent speech is pervasive in his plays . In the context of such pervasive evidence , the con- vention that soliloquies ... represented unspoken thought , experienced playgoers would have assumed that soliloquies as a matter of ...
Página 230
... soliloquies typi- cally represented audience address . In order to refute this long- standing and deeply cherished notion , it has been necessary to demonstrate that the evidence that soliloquies represented self- address is pervasive ...
... soliloquies typi- cally represented audience address . In order to refute this long- standing and deeply cherished notion , it has been necessary to demonstrate that the evidence that soliloquies represented self- address is pervasive ...
Índice
Acknowledgments | 9 |
Representation of Speech | 35 |
From Antiquity to the Middle of the Sixteenth | 62 |
Direitos de autor | |
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Palavras e frases frequentes
acters action actor addressed speech addressed to playgoers addresses playgoers apostrophe audience address Betterton boy actor chapter char character's characters onstage Claudius clearly conventions governing soliloquies Davenant Davenant's direct access dominant convention dramatic context dramatists earlier eavesdropping eavesdropping episodes enemy evidence explicit explicitly expresses father feigned soliloquy genuine soliloquy gives voice guard his speech guarded in asides Hamlet heard hearing human Iago imagine incongruities innermost thoughts interior monologue kinds of soliloquies King King Lear late seventeenth century later liloquies Love's Labor's Lost Menaechmus mind offstage Ophelia oquies Othello outward behavior overheard soliloquies passage performed playgoers Polonius post-Renaissance presence pretends quies Renaissance Renaissance drama Renaissance playgoers representation Richard Romeo says scene self-addressed speech Shake Shakespeare's plays Shakespeare's soliloquies Shakespeare's theater situation solilo soliloquies and asides soliloquies in Shakespeare's soliloquies represented speech soliloquy guarded speaker speare's theatrical Thomas Betterton thou tion Troilus and Cressida unspoken thoughts words spoken
Referências a este livro
Pseudonymous Shakespeare: Rioting Language in the Sidney Circle Penny McCarthy Pré-visualização limitada - 2006 |
Allegory and the Work of Melancholy: The Late Medieval and Shakespeare Jeremy Tambling Pré-visualização indisponível - 2004 |