Shakespeare's Comedy of the TempestHarper & brothers, 1871 - 148 páginas |
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Página 7
... as late as 1611 . * New Illustrations of Shakespeare ( 1845 ) , vol . i . pp . 122-157 . The speech of Gonzalo ( ii . 1 ) ,. I. HISTORY OF THE PLAY . ARIEL AS A SEA - NYMPH . INTRODUCTION TO THE TEMPEST THE HISTORY OF THE PLAY.
... as late as 1611 . * New Illustrations of Shakespeare ( 1845 ) , vol . i . pp . 122-157 . The speech of Gonzalo ( ii . 1 ) ,. I. HISTORY OF THE PLAY . ARIEL AS A SEA - NYMPH . INTRODUCTION TO THE TEMPEST THE HISTORY OF THE PLAY.
Página 9
... Ariel ' to fetch dew from the still- vex'd Bermoothes ' makes it certain that the Bermudas are not the scene of The Tempest , though , strangely enough , it has produced the contrary impression on many minds ; but this reference to ...
... Ariel ' to fetch dew from the still- vex'd Bermoothes ' makes it certain that the Bermudas are not the scene of The Tempest , though , strangely enough , it has produced the contrary impression on many minds ; but this reference to ...
Página 11
... Ariel , contain the finest example I remember of retrospect- ive narration for the purpose of exciting immediate ... Ariel has in everything the airy tint which gives the name . And it is worthy of remark that Miranda is never directly ...
... Ariel , contain the finest example I remember of retrospect- ive narration for the purpose of exciting immediate ... Ariel has in everything the airy tint which gives the name . And it is worthy of remark that Miranda is never directly ...
Página 15
... Ariel hovers sweetly over the whole as the personified genius of the wonderful fable . Caliban has become a by - word as the strange creation of a poetical imagination . A mixture of gnome and savage , half dæmon , half brute , in his ...
... Ariel hovers sweetly over the whole as the personified genius of the wonderful fable . Caliban has become a by - word as the strange creation of a poetical imagination . A mixture of gnome and savage , half dæmon , half brute , in his ...
Página 16
... Ariel the image of air is not to be mis- taken ; his name even bears an allusion to it ; as , on the other hand , Caliban signifies the heavy element of earth . Yet they are neither of them simple , allegorical personifications , but ...
... Ariel the image of air is not to be mis- taken ; his name even bears an allusion to it ; as , on the other hand , Caliban signifies the heavy element of earth . Yet they are neither of them simple , allegorical personifications , but ...
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Palavras e frases frequentes
Adrian allusion Alonso Antonio Boatswain brave brother Caliban cell Ceres charm chough Cymb daughter devil Dido didst discase doth drown'd Duke of Milan dukedom e'er earth editors ellipsis Enter ARIEL Epilogue Exeunt Exit eyes father Ferdinand and Miranda folio reads foul give Gonzalo grace Hast thou hath hear heavens hest hither island isle Jephson JULIUS CÆSAR king King of Naples Lear lord master means Merchant of Venice mind Miranda monster Naples nature never o'er Oliver Goldsmith on't passage Phila play poet pray prince princess prithee Prospero queen Rich Rolfe SCENE Sebastian sense Setebos Shakespeare ship sing sleep speak Spenser spirit Steevens Stephano strange sweet Sycorax Tempest thee Theo thine thing thou art thou dost thou hast thought Trinculo Tunis verb winds wonder word yare yond
Passagens conhecidas
Página 22 - Be not afeard ; the isle is full of noises, Sounds and sweet airs, that give delight and hurt not. Sometimes a thousand twangling instruments Will hum about mine ears, and sometimes voices That, if I then had waked after long sleep, Will make me sleep again : and then, in dreaming, The clouds methought would open and show riches Ready to drop upon me, that, when I waked, I cried to dream again.
Página 115 - How now, Horatio? you tremble and look pale; Is not this something more than fantasy? What think you on 't? Hor. Before my God, I might not this believe Without the sensible and true avouch Of mine own eyes.
Página 97 - Where the bee sucks, there suck I ; In a cowslip's bell I lie; There I couch when owls do cry. On the bat's back I do fly After summer merrily. Merrily, merrily shall I live now Under the blossom that hangs on the bough.
Página 105 - I'll be wise hereafter, And seek for grace : What a thrice-double ass Was I, to take this drunkard for a god, And worship this dull fool ! Pro.
Página 49 - This music crept by me upon the waters, Allaying both their fury and my passion With its sweet air : thence I have follow'd it, Or it hath drawn me rather.
Página 106 - Now my charms are all o'erthrown, And what strength I have's mine own, Which is most faint: now, 'tis true, I must be here confined by you, Or sent to Naples.
Página 116 - Shall I stray In the middle air and stay The sailing rack, or nimbly take Hold by the moon and gently make Suit to the pale queen of night For a beam to give thee light ? . Shall I dive into the sea, And bring thee coral, making way Through the rising waves...
Página 59 - I' the commonwealth I would by contraries Execute all things : for no kind of traffic Would I admit ; no name of magistrate ; Letters should not be known ; riches, poverty, And use of service, none ; contract, succession, 1 ie deliberated, was in suspense.
Página 11 - For the principal and only genuine excitement ought to come from within — from the moved and sympathetic imagination ; whereas, where so much is addressed to the mere external senses of seeing and hearing, the spiritual vision is apt to languish, and the attraction from without will withdraw the mind from the proper and only legitimate interest which is intended to spring from within.
Página 48 - Abhorred slave, Which any print of goodness wilt not take, Being capable of all ill ! I pitied thee, Took pains to make thee speak, taught thee each hour One thing or other...