The Subtext of Form in the English Renaissance: Proportion PoeticalPennsylvania State University Press, 1994 - 214 páginas During the sixteenth century in England the logocentrism of the Middle Ages was confronted by a materialism that heralded the modern world. With remarkable tenacity in music, poetry, and painting, the orthodox aesthetic persisted as formal features which served as nonverbal signs and provided a subtext of form. In opposition, however, a radical aesthetic emerged to accommodate the new attention to physical nature. The growing force of materialism occasioned a fundamental rethinking of what an artifact might represent and how that representation might be achieved. This book explores the ontological and epistemological issues that poststructuralist thought raises about that shift in our cultural history. In doing so, it charts a course for Renaissance studies, now in disarray, that avoids the old positivism while not succumbing to the new nihilism. |
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... fact of a positive nature ” —not just shifting values in a larger inclusive system , but presumably a stable mean- ing ( the " mental elements " ) that can be transferred to the human brain . Although , as Saussure continues , these ...
... fact the absolute origin of sense in general . Which amounts to saying once again that there is no absolute origin of sense in general " ( Of Grammatology , 65 ) . After utilizing the transcendental signified as an absent presence ...
... fact and fiction that goes back to Aristotle . Indeed , the wavering interface between fiction and fact - between art and actuality — is recorded most neatly in the changing definitions assigned to this term as our cul- ture has altered ...
Índice
The Subtext of Form | 33 |
Form as Optimism | 69 |
The Discourse About Otherness | 119 |
Direitos de autor | |
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The Subtext of Form in the English Renaissance: Proportion Poetical S. K. Heninger Pré-visualização limitada - 1994 |
The Subtext of Form in the English Renaissance: Proportion Poetical S. K. Heninger Pré-visualização indisponível - 1994 |