The Subtext of Form in the English Renaissance: Proportion PoeticalPennsylvania State University Press, 1994 - 214 páginas During the sixteenth century in England the logocentrism of the Middle Ages was confronted by a materialism that heralded the modern world. With remarkable tenacity in music, poetry, and painting, the orthodox aesthetic persisted as formal features which served as nonverbal signs and provided a subtext of form. In opposition, however, a radical aesthetic emerged to accommodate the new attention to physical nature. The growing force of materialism occasioned a fundamental rethinking of what an artifact might represent and how that representation might be achieved. This book explores the ontological and epistemological issues that poststructuralist thought raises about that shift in our cultural history. In doing so, it charts a course for Renaissance studies, now in disarray, that avoids the old positivism while not succumbing to the new nihilism. |
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... frame . Before Alberti's time , paintings did not have frames . At least , a frame was not applied post facto , as we are likely to think of it : a set of moldings placed around the edges of a painting for protection and often for ...
... frame can be distinguished from the fictional space ; it is external to the painting's subject matter . Like the frame of the window through which Alberti's painter looks , it belongs to the space inhabited by the painter . As a result ...
... frame of vertical piers resting upon a sturdy foundation and supporting a fancy cornice . In the center , a panel ... frame . This frame separates the viewer's space from the holy space of the religious figures , whose divinity ( despite ...
Índice
The Subtext of Form | 33 |
Form as Optimism | 69 |
The Discourse About Otherness | 119 |
Direitos de autor | |
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The Subtext of Form in the English Renaissance: Proportion Poetical S. K. Heninger Pré-visualização limitada - 1994 |
The Subtext of Form in the English Renaissance: Proportion Poetical S. K. Heninger Pré-visualização indisponível - 1994 |