The Subtext of Form in the English Renaissance: Proportion PoeticalPennsylvania State University Press, 1994 - 214 páginas During the sixteenth century in England the logocentrism of the Middle Ages was confronted by a materialism that heralded the modern world. With remarkable tenacity in music, poetry, and painting, the orthodox aesthetic persisted as formal features which served as nonverbal signs and provided a subtext of form. In opposition, however, a radical aesthetic emerged to accommodate the new attention to physical nature. The growing force of materialism occasioned a fundamental rethinking of what an artifact might represent and how that representation might be achieved. This book explores the ontological and epistemological issues that poststructuralist thought raises about that shift in our cultural history. In doing so, it charts a course for Renaissance studies, now in disarray, that avoids the old positivism while not succumbing to the new nihilism. |
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... logocentrism and authorized a subtext of formal features that serve as nonverbal signs . Chapter 3 shows how these logocentric imperatives produced the four- teen - line sonnet as a means of encoding theological and philosophical ...
... logocentric and a hylo- centric reality . The Renaissance is that period , whatever the actual years might be and in whatever geographic area , when the logocentric and the hylocentric ontologies were both operative and equally ...
... logocentric culture . So logocentrism implies that a culture is language - centered , but only because language expresses ideas . The culture places authority in forms , in the potential for relationships . All things , in fact , are ...
Índice
The Subtext of Form | 33 |
Form as Optimism | 69 |
The Discourse About Otherness | 119 |
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The Subtext of Form in the English Renaissance: Proportion Poetical S. K. Heninger Pré-visualização limitada - 1994 |
The Subtext of Form in the English Renaissance: Proportion Poetical S. K. Heninger Pré-visualização indisponível - 1994 |