The Subtext of Form in the English Renaissance: Proportion PoeticalDuring the sixteenth century in England the logocentrism of the Middle Ages was confronted by a materialism that heralded the modern world. With remarkable tenacity in music, poetry, and painting, the orthodox aesthetic persisted as formal features which served as nonverbal signs and provided a subtext of form. In opposition, however, a radical aesthetic emerged to accommodate the new attention to physical nature. The growing force of materialism occasioned a fundamental rethinking of what an artifact might represent and how that representation might be achieved. This book explores the ontological and epistemological issues that poststructuralist thought raises about that shift in our cultural history. In doing so, it charts a course for Renaissance studies, now in disarray, that avoids the old positivism while not succumbing to the new nihilism. |
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Conversely , however , to the extent that poetry is descriptive , producing pictorial
images referrable to the material world , poetry approaches the plastīc arts .
Poetry is related by its sense - based properties ( especially the production of
verbal ...
Specifically , the deity utilized the tetrad pattern , which reconciles two pairs of
opposites to produce a dynamic but ... of this repeated pattern , the demiurge
produced an integrated array of correspondences that obtain throughout creation
.
Not only is art in some way a replication of actuality , a derivative from it , but also
art produces an actuality of its own , clearly ... For a provocative essay that
explores how the visual and the verbal in Magritte's paintings interact to produce
...
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Índice
The Subtext of Form | 33 |
Form as Optimism | 69 |
The Discourse About Otherness | 119 |
Direitos de autor | |
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The Subtext of Form in the English Renaissance: Proportion Poetical S. K. Heninger Pré-visualização limitada - 1994 |
The Subtext of Form in the English Renaissance: Proportion Poetical S. K. Heninger Pré-visualização indisponível - 1994 |