English Verse: Voice and Movement from Wyatt to Yeats, Volume 2Cambridge U.P., 1967 - 324 páginas Every poet has a characteristic tone of voice, and his own rhythm. The author's chief interest is this 'sound poems make in the head', and his particular gift is to help us to hear what is going on in the individual poem, and to catch the poet's individuality. We also hear how each poet develops the forms his predecessors have used. In this way, we move from a consideration of single voices to the development of particular forms (like the couplet or blank verse) and the characteristics of whole periods. This book, then, has several uses. While verse as sound is its main concern, it can be read as an introductory history of English verse from the sixteenth to the twentieth century. Since the author quotes generously, he also provides as he goes along an unhackneyed anthology in chronological order. In addition, he comments in detail on many of the poems, so that the book is a demonstration of the methods and uses of practical criticism. |
No interior do livro
Resultados 1-3 de 44
Página 190
... dark branches gleam a lighter hue ' ; but we can be content to think that the key to the whole piece is clearly and unambiguously given in the verbs ' I watch'd ' , ' I lov'd to see ' . On the other hand the narrow dell and the ...
... dark branches gleam a lighter hue ' ; but we can be content to think that the key to the whole piece is clearly and unambiguously given in the verbs ' I watch'd ' , ' I lov'd to see ' . On the other hand the narrow dell and the ...
Página 229
T. R. Barnes. Hateful is the dark - blue sky , Vaulted o'er the dark - blue sea . Death is the end of life ; ah , why Should life all labour be ? Let us alone . Time driveth onward fast , And in a little while our lips are dumb . Let us ...
T. R. Barnes. Hateful is the dark - blue sky , Vaulted o'er the dark - blue sea . Death is the end of life ; ah , why Should life all labour be ? Let us alone . Time driveth onward fast , And in a little while our lips are dumb . Let us ...
Página 266
... dark to light , a sudden- ness conveyed too by ' flaps ' , as its brevity is by the taps : ' eye - trying ' gives us a kind of climax of discomfort , and the whole poem is a tiny example of Hardy's honesty . The tone of the mood is ...
... dark to light , a sudden- ness conveyed too by ' flaps ' , as its brevity is by the taps : ' eye - trying ' gives us a kind of climax of discomfort , and the whole poem is a tiny example of Hardy's honesty . The tone of the mood is ...
Índice
Blank Verse | 25 |
The Seventeenth Century | 58 |
The Eighteenth Century | 117 |
Direitos de autor | |
3 outras secções não apresentadas
Outras edições - Ver tudo
English Verse: Voice and Movement from Wyatt to Yeats T. R. Barnes Pré-visualização indisponível - 1967 |
Palavras e frases frequentes
A. E. Housman alliteration Balaam beauty Blake blank verse Boston Evening Transcript breath called Comus couplet dark dead death Donne Donne's doth dramatic dream Dryden earth eternal eyes fall feel flowers Gorboduc GUIDERIUS hath hear heart heaven Henry Purcell heroic couplet Hopkins human imagination inscape Keats kind King lady lines living look Lord lyric man's meaning melody Milton mind Muses nature nature's never night o'er passage play pleasure poem poet poet's poetic poetry Pre-Raphaelite Prufrock quotation reader rhetoric rhyme rhythm romantic Samian wine sense Shakespeare sing sleep smile song sonnet sort soul sound speech Spenser spirit spring sprung rhythm stanza stresses sweet syllables symbol T. S. Eliot taste thee theme thine things thou thought trees truth tune turn verb voice wind words Wordsworth writing Yeats