English Verse: Voice and Movement from Wyatt to Yeats, Volume 2Cambridge U.P., 1967 - 324 páginas Every poet has a characteristic tone of voice, and his own rhythm. The author's chief interest is this 'sound poems make in the head', and his particular gift is to help us to hear what is going on in the individual poem, and to catch the poet's individuality. We also hear how each poet develops the forms his predecessors have used. In this way, we move from a consideration of single voices to the development of particular forms (like the couplet or blank verse) and the characteristics of whole periods. This book, then, has several uses. While verse as sound is its main concern, it can be read as an introductory history of English verse from the sixteenth to the twentieth century. Since the author quotes generously, he also provides as he goes along an unhackneyed anthology in chronological order. In addition, he comments in detail on many of the poems, so that the book is a demonstration of the methods and uses of practical criticism. |
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Página 2
... express an emotion , and most comment on that emotion , so that they tend to fall into two parts . The break in many sonnets — some would say in all ' correct ' sonnets comes after the eighth line and the two parts are known as the ...
... express an emotion , and most comment on that emotion , so that they tend to fall into two parts . The break in many sonnets — some would say in all ' correct ' sonnets comes after the eighth line and the two parts are known as the ...
Página 40
... to be . The middle section of the speech beginning with From forth this morsel of dead royalty .... does more than express the Bastard's feelings ; it contains the theme of the play . Yet it is not the sort 40 ENGLISH VERSE.
... to be . The middle section of the speech beginning with From forth this morsel of dead royalty .... does more than express the Bastard's feelings ; it contains the theme of the play . Yet it is not the sort 40 ENGLISH VERSE.
Página 90
... express them he forged a style which is noble , magniloquent and resonant , though sometimes stiff and un- yielding . But he was also a man of an intense sensibility which seems sometimes to be at odds with his conscious purposes , and ...
... express them he forged a style which is noble , magniloquent and resonant , though sometimes stiff and un- yielding . But he was also a man of an intense sensibility which seems sometimes to be at odds with his conscious purposes , and ...
Índice
Blank Verse | 25 |
The Seventeenth Century | 58 |
The Eighteenth Century | 117 |
Direitos de autor | |
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Outras edições - Ver tudo
English Verse: Voice and Movement from Wyatt to Yeats T. R. Barnes Pré-visualização indisponível - 1967 |
Palavras e frases frequentes
A. E. Housman alliteration Balaam beauty Blake blank verse Boston Evening Transcript breath called Comus couplet dark dead death Donne Donne's doth dramatic dream Dryden earth eternal eyes fall feel flowers Gorboduc GUIDERIUS hath hear heart heaven Henry Purcell heroic couplet Hopkins human imagination inscape Keats kind King lady lines living look Lord lyric man's meaning melody Milton mind Muses nature nature's never night o'er passage play pleasure poem poet poet's poetic poetry Pre-Raphaelite Prufrock quotation reader rhetoric rhyme rhythm romantic Samian wine sense Shakespeare sing sleep smile song sonnet sort soul sound speech Spenser spirit spring sprung rhythm stanza stresses sweet syllables symbol T. S. Eliot taste thee theme thine things thou thought trees truth tune turn verb voice wind words Wordsworth writing Yeats