English Verse: Voice and Movement from Wyatt to Yeats, Volume 2Cambridge U.P., 1967 - 324 páginas Every poet has a characteristic tone of voice, and his own rhythm. The author's chief interest is this 'sound poems make in the head', and his particular gift is to help us to hear what is going on in the individual poem, and to catch the poet's individuality. We also hear how each poet develops the forms his predecessors have used. In this way, we move from a consideration of single voices to the development of particular forms (like the couplet or blank verse) and the characteristics of whole periods. This book, then, has several uses. While verse as sound is its main concern, it can be read as an introductory history of English verse from the sixteenth to the twentieth century. Since the author quotes generously, he also provides as he goes along an unhackneyed anthology in chronological order. In addition, he comments in detail on many of the poems, so that the book is a demonstration of the methods and uses of practical criticism. |
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Página 15
... stand for that previous work . Spenser's whole manner of writing and use of language ( I am not now thinking of his specialized ' antique ' vocabulary ) is heightened and removed from normal usage , because he believes his poem , which ...
... stand for that previous work . Spenser's whole manner of writing and use of language ( I am not now thinking of his specialized ' antique ' vocabulary ) is heightened and removed from normal usage , because he believes his poem , which ...
Página 98
... stand for Milton's poems , the product of ' that one talent which is death to kide ' and might not the small unsightly root symbolize Comus itself , Milton's own work in general , and that work seen as modern , north European ? The ...
... stand for Milton's poems , the product of ' that one talent which is death to kide ' and might not the small unsightly root symbolize Comus itself , Milton's own work in general , and that work seen as modern , north European ? The ...
Página 110
T. R. Barnes. rational layman the theological disputes of the ' past age ' stand by implication condemned . The line ... stands for the Presbyterians and Calvinists . I have cut a long passage which purports to give the history of these ...
T. R. Barnes. rational layman the theological disputes of the ' past age ' stand by implication condemned . The line ... stands for the Presbyterians and Calvinists . I have cut a long passage which purports to give the history of these ...
Índice
Blank Verse | 25 |
The Seventeenth Century | 58 |
The Eighteenth Century | 117 |
Direitos de autor | |
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English Verse: Voice and Movement from Wyatt to Yeats T. R. Barnes Pré-visualização indisponível - 1967 |
Palavras e frases frequentes
A. E. Housman alliteration Balaam beauty Blake blank verse Boston Evening Transcript breath called Comus couplet dark dead death Donne Donne's doth dramatic dream Dryden earth eternal eyes fall feel flowers Gorboduc GUIDERIUS hath hear heart heaven Henry Purcell heroic couplet Hopkins human imagination inscape Keats kind King lady lines living look Lord lyric man's meaning melody Milton mind Muses nature nature's never night o'er passage play pleasure poem poet poet's poetic poetry Pre-Raphaelite Prufrock quotation reader rhetoric rhyme rhythm romantic Samian wine sense Shakespeare sing sleep smile song sonnet sort soul sound speech Spenser spirit spring sprung rhythm stanza stresses sweet syllables symbol T. S. Eliot taste thee theme thine things thou thought trees truth tune turn verb voice wind words Wordsworth writing Yeats