Ingres and His Critics

Capa
Cambridge University Press, 03/10/2005 - 320 páginas
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This book examines the critical writing and journalistic reportage on Jean-Auguste-Dominque Ingres, from the time of his renunciation of the Salon in1834 until his large retrospective at the 1855 Universal Exposition, the crucial middle decades of his career. This massive body of writing demonstrates how Ingres shaped his career in the rapidly evolving art world of mid-nineteenth century Paris. Enjoying the benefits of his affiliation with the Academy, the artist also employed certain modes of presentation, most notably the single-artist exhibition and illustrated monograph, through which he distanced himself and his work from the embattled world of artistic officialdom.
 

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Índice

The Critics and Their Ingres 18341855
1
Le Martyre de Saint Symphorien at the 1834 Salon
15
La Stratonice
54
The Studio Exhibitions of 184142
87
The Painter Behind the Canvas
135
Notes
239
Bibliography
289
Index
315
Direitos de autor

Palavras e frases frequentes

Passagens conhecidas

Página 294 - Mémoires de l'Académie des Sciences, Agriculture, Commerce , Belles-Lettres et. Arts du département de la Somme.

Informação bibliográfica