Queen embracing him, and he her. She kneels, Oph. What means this, my lord ? mischief. Oph. Belike, this show imports the argument of the play. Enter Prologue. Ham. We shall know by this fellow: the players cannot keep counsel; they'll tell all. Oph. Will he tell us what this show meant? Ham. Ay, or any show that you'll show him: Be not you ashamed to show, he'll not shame to tell you what it means. Oph. You are naught, you are naught; I'll mark the play. Pro. For us, and for our tragedy, Here stooping to your clemency, We beg your hearing patiently. Ham. Is this a prologue, or the posy of a ring? Oph. 'Tis brief,2 my lord. Ham. As woman's love. Enter a King and a Queen. P. King. Full thirty times hath Phoebus' cart gone round (1) Secret wickedness. (2) Short. (3) Car, chariot. Neptune's salt wash, and Tellus'1 orbed ground; And thirty dozen moons, with borrow'd sheen, 2 About the world have times twelve thirties been; Since love our hearts, and Hymen did our hands, Unite commutual in most sacred bands. P. Queen. So many journeys may the sun and inoon Make us again count o'er, ere love be done! Now, what my love is, proof hath made you know: there. P. King. 'Faith, I must leave thee, love, and shortly too; My operant powers their functions leave to do: And thou shalt live in this fair world behind, Honour'd, belov'd; and, haply, one as kind For husband shalt thou O, confound the rest! P. Queen. None wed the second, but who kill'd the first. P. Queen. The instances,5 that second marriage move, Are base respects of thrift, but none of love; (1) The earth's. (2) Shining, lustre. (4) Active. (3) Magnitude, proportion. (5) Motives. P. King. I do believe, you think what now you speak: But, what we do determine, oft we break. Which now, like fruit unripe, sticks on the tree; light! (1) Determinations. (2) Ever. (3) Anchoret's. Both here, and hence, pursue me lasting strife, Ham. If she should break it now, [To Ophelia. P. King. 'Tis deeply sworn. Sweet, leave me here a while; My spirits grow dull, and fain I would beguile The tedious day with sleep. P. Queen. [Sleeps. Sleep rock thy brain; And never come mischance between us twain! [Exit.. Ham. Madam, how like you this play? King. Have you heard the argument? Is there no offence in't? Ham. No, no, they do but jest, poison in jest; no offence i'the world. King. What do you call the play? Ham. The Mouse-trap.1 Marry, how? Tropically. This play is the image of a murder done in Vienna: Gonzago is the duke's name; his wife, Baptista: you shall see anon; 'tis a knavish piece of work: But what of that? your majesty, and we that have free souls, it touches us not: Let the galled jade wince,2 our withers are unwrung. Enter Lucianus. This is one Lucianus, nephew to the king. Oph. You are as good as a chorus, my lord. Ham. I could interpret between you and your love, if I could see the puppets dallying. Oph. You are keen, my lord, you are keen. Ham. It would cost you a groaning, to take off my edge. Oph. Still better, and worse. (1) -the thing In which he'll catch the conscience of the king. (2) This is a proverbial saying: VOL. VIII. N Ham. So you mistake your husbands.-Begin, murderer;-leave thy damnable faces, and begin. Come; -The croaking raven Doth bellow for revenge. Luc. Thoughts black, hands apt, drugs fit, and time agreeing; Confederate season, else no creature seeing; [Pours the poison into the sleeper's ears. Ham. He poisons him i'the garden for his estate. His name's Gonzago: the story is extant, and writ ten in very choice Italian: You shall see anon, how the murderer gets the love of Gonzago's wife. Oph. The king rises. Ham. What! frighted with false fire? King. Give me some light:-away! [Exeunt all but Hamlet and Horatio Ham. Why, let the strucken deer go weep, For some must watch, while some must sleep; Would not this, sir, and a forest of feathers? (if the Ham. A whole one, I. For thou dost know, O Damon dear, This realm dismantled was (1) Curse. (2) For his head. (4) Slashed. (3) Change conditions. (5) Pack, company. |