Your Speaking VoiceGriffin-Patterson Company, 1946 - 346 páginas |
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Página 122
... audience . Wm . Jennings Bryan wisely observed : " A speaker is eloquent in proportion as he knows what he is ... audience . Of course , in impersonating a character role , speaking may be slurred or indistinct on purpose . But ...
... audience . Wm . Jennings Bryan wisely observed : " A speaker is eloquent in proportion as he knows what he is ... audience . Of course , in impersonating a character role , speaking may be slurred or indistinct on purpose . But ...
Página 189
... audience's mind ; pause even to choose the fitting word to dress the idea for expression ; but avoid hesitation . Get the idea so well in mind that the thoughts are there ready to be given flesh . Hesitation will lose the audi- ence ...
... audience's mind ; pause even to choose the fitting word to dress the idea for expression ; but avoid hesitation . Get the idea so well in mind that the thoughts are there ready to be given flesh . Hesitation will lose the audi- ence ...
Página 192
... audience relationships . PUBLIC SPEECH REQUIRES SLOWER RATE In general the rate of public speech should be rather slow , slower than ordinary conversation . And the larger the audience , the slower the rate must be . This is true for ...
... audience relationships . PUBLIC SPEECH REQUIRES SLOWER RATE In general the rate of public speech should be rather slow , slower than ordinary conversation . And the larger the audience , the slower the rate must be . This is true for ...
Índice
Foreword to the Student | 8 |
CHAPTER II | 25 |
CHAPTER III | 40 |
Direitos de autor | |
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Palavras e frases frequentes
articulation audience beautiful blood Blynken boot-black breath Caesar changes chest consonants dead Dear diaphragm ears emotional exercise exhalation express eyes factors feel fight force forever FRANKLIN D FRITZ LEIBER give glottis H. V. Kaltenborn habit hand head hear heart heaven human human voice IAGO Imph-m inhalation Karr KATHARINE CORNELL larynx Lawrence Tibbett letter lips listening live Lord Macbeth meaning mouth muscles nasal natural never night NORMA SHEARER OTHELLO pause person physical pitch practice pronunciation radio relaxed resonance rhythm ride ROBERT BURNS sail sentence Sincerely singing song sound speaker speaking voice speech stage fright stand student sweet talk thee thing thou thought throat tion tone production tongue vibration vocal cords vocal folds voice quality vowels whisper wind WINSTON CHURCHILL words young