Your Speaking VoiceGriffin-Patterson Company, 1946 - 346 páginas |
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Página 28
... human voice quality . The human speech mechanism , capable of such expressive modulations and inflections , is considerably more complicated than the simple artificial larynx . Indeed , the human speech mech- anism is extremely complex ...
... human voice quality . The human speech mechanism , capable of such expressive modulations and inflections , is considerably more complicated than the simple artificial larynx . Indeed , the human speech mech- anism is extremely complex ...
Página 38
... human voice , if there are few harmonious overtones the quality is dull or unmelodious . It will be the problem of the next chapter , Training for Good Voice Quality , to indicate ways of achieving this type of voice quality . SUGGESTED ...
... human voice , if there are few harmonious overtones the quality is dull or unmelodious . It will be the problem of the next chapter , Training for Good Voice Quality , to indicate ways of achieving this type of voice quality . SUGGESTED ...
Página 89
... sound . ( Dog whistles are made with frequencies above the range of human audibility . Although humans can- not hear them , dogs do . ) The fundamental frequency of the human voice ranges from about 65 vibrations a second ( a very low ...
... sound . ( Dog whistles are made with frequencies above the range of human audibility . Although humans can- not hear them , dogs do . ) The fundamental frequency of the human voice ranges from about 65 vibrations a second ( a very low ...
Índice
Foreword to the Student | 8 |
CHAPTER II | 25 |
CHAPTER III | 40 |
Direitos de autor | |
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Palavras e frases frequentes
articulation audience beautiful blood Blynken boot-black breath Caesar changes chest consonants dead Dear diaphragm ears emotional exercise exhalation express eyes factors feel fight force forever FRANKLIN D FRITZ LEIBER give glottis H. V. Kaltenborn habit hand head hear heart heaven human human voice IAGO Imph-m inhalation Karr KATHARINE CORNELL larynx Lawrence Tibbett letter lips listening live Lord Macbeth meaning mouth muscles nasal natural never night NORMA SHEARER OTHELLO pause person physical pitch practice pronunciation radio relaxed resonance rhythm ride ROBERT BURNS sail sentence Sincerely singing song sound speaker speaking voice speech stage fright stand student sweet talk thee thing thou thought throat tion tone production tongue vibration vocal cords vocal folds voice quality vowels whisper wind WINSTON CHURCHILL words young