Your Speaking VoiceGriffin-Patterson Company, 1946 - 346 páginas |
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Página 161
... STAGE FRIGHT Before an audience rigidity becomes most conspicuous - rigidity through fear . Stage fright is its name - a condition so common that it is practically universal . Like young love , nearly everyone who gets it thinks that he ...
... STAGE FRIGHT Before an audience rigidity becomes most conspicuous - rigidity through fear . Stage fright is its name - a condition so common that it is practically universal . Like young love , nearly everyone who gets it thinks that he ...
Página 164
... STAGE FRIGHT Let it be understood by every novice that it is not natural for the normal person to be rigid and motionless on the platform- unless he is throttled by fear . And the best corrective for the distressful condition called stage ...
... STAGE FRIGHT Let it be understood by every novice that it is not natural for the normal person to be rigid and motionless on the platform- unless he is throttled by fear . And the best corrective for the distressful condition called stage ...
Página 307
... stage fright , and it hits high and low alike , famous and obscure in- discriminately . Also it plays the same tricks to body and voice as does stage fright ; and it yields to the same remedy , namely , physical activity . In the news ...
... stage fright , and it hits high and low alike , famous and obscure in- discriminately . Also it plays the same tricks to body and voice as does stage fright ; and it yields to the same remedy , namely , physical activity . In the news ...
Índice
Foreword to the Student | 8 |
CHAPTER II | 25 |
CHAPTER III | 40 |
Direitos de autor | |
15 outras secções não apresentadas
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Palavras e frases frequentes
articulation audience beautiful blood Blynken boot-black breath Caesar changes chest consonants dead Dear diaphragm ears emotional exercise exhalation express eyes factors feel fight force forever FRANKLIN D FRITZ LEIBER give glottis H. V. Kaltenborn habit hand head hear heart heaven human human voice IAGO Imph-m inhalation Karr KATHARINE CORNELL larynx Lawrence Tibbett letter lips listening live Lord Macbeth meaning mouth muscles nasal natural never night NORMA SHEARER OTHELLO pause person physical pitch practice pronunciation radio relaxed resonance rhythm ride ROBERT BURNS sail sentence Sincerely singing song sound speaker speaking voice speech stage fright stand student sweet talk thee thing thou thought throat tion tone production tongue vibration vocal cords vocal folds voice quality vowels whisper wind WINSTON CHURCHILL words young